Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Alfred H. Barr, Jr., Picasso: Fifty Years of His Art (New York, 1946), p. 280.
Pierre Daix and Georges Boudaille, Picasso 1900-1906: catalogue raisonné de l’oeuvre peint (Neuchâtel, 1966), p. 147, no. D.IV.1 (ill.).
Christian Zervos, Pablo Picasso XXI (Paris, 1969), no. 174 (ill.), as 1900.
Howard Greenfeld, Pablo Picasso: An Introduction (Chicago, 1971), p. 47 (ill.).
Birmingham, Ala., Birmingham Museum of Art, “Exhibition of French Drawings (Le Fin du Siècle),” October 5–November 1, 1952, no cat.
The Art Institute of Chicago, “Picasso in Chicago,” Februry 3–March 31, 1968, pp. 56, 59, and 116, cat. 59, (ill.); as c. 1898–1900.
Chicago, R. S. Johnson-International Gallery, “Homage to Picasso,” Winter 1973, pp. 5 and 57, cat. 1, (ill.).
Princeton, N.J., The Art Museum, Princeton University, “Els Quatre Gats: Art in Barcelona around 1900,” January 28–March 26, 1978, pp. 98–99, cat. 28, (ill.).
Washington D.C., Hirshhorn Museum, “Els Quatre Gats: Art in Barcelona around 1900,” April 14–June 26, 1978.
Cambridge, Mass., Fogg Art Museum, “Master Drawings by Picasso,” 1981, p. 253, no. 2; shown only at The Art Institute of Chicago, April 29–June 14, 1981.
New York, Pace Gallery, “Je Suis le Cahier: The Sketchbooks of Pablo Picasso,” 1986, hors cat.; shown only at The Art Institute of Chicago, July 10–August 23, l987.
The Art Institute of Chicago, April 26, 1990-March 9, 1992.
Art Institute of Chicago, “Picasso and Chicago”, February 20-May 12, 2013, hors cat.
Annie Swan Coburn (1856–1932), Chicago, by 1932 [estate inventory, 1932]; given to the Art Institute, 1933.
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