The Old Bedford (recto); The Gallery of the Old Bedford (verso)

CC0 Public Domain Designation

Prints and Drawings

c. 1894

Walter Richard Sickert
British, 1860-1942

Status: Currently Off View
Department: Prints and Drawings

Artist: Walter Richard Sickert
Title: The Old Bedford (recto); The Gallery of the Old Bedford (verso)
Place: United Kingdom (Artist's nationality)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1889–1899
Medium: Pen and black ink with brush and gray wash (recto and verso) on board
Dimensions: 26 × 18.7 cm (10 1/4 × 7 3/8 in.)
Credit Line: The Regenstein Collection
Reference Number: 1996.319
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/145141/manifest.json

“From Maineri to Miró: The Regenstein Collection Since 1975,” The Art Institute of Chicago Museum Studies 26:1 (2000), pp. 88-89, no. 39 (ill.) (recto).
Suzanne Folds McCullagh, “‘A Lasting Monument:’ The Regenstein Collection at The Art Institute of Chicago,” The Art Institute of Chicago Museum Studies 26, 1 (2000), p. 12 (recto).

London, Tate Gallery, “Sickert,” 1960, cat. 32; also traveled to the Southhampton City Art Gallery and the Bradford City Art Gallery (recto).
Perth, Australia, The Art Gallery of Western Australia, “Sickert Drawings,” June 5-July 1, 1979, cat. 9, cat. by Lou Klepac; also traveled to the Brisbane Civic Art Gallery, 23 July-26 August 1979; and the National Gallery of Victoria, Melbourne, 7 September-21 October 1979 (recto).
The Art Institute of Chicago, “Building a Collection: New Acquisitions and Promised Gifts of British Art,” May 1–August 1, 2004, checklist 25 (recto).

Sold by the artist (died 1942) to Alfred Brickell (Preston & Islington); bequeathed to Charles Bannerman, Scotland, c. 1950; bequeathed to Raymond Bishop, 1993 [all provenance is according to Peter Nahum]. Sold by Peter Nahum, Leicester Galleries, London, to the Art Institute, 1996.

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Currently Off View

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Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Dimensions

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The Old Bedford (recto); The Gallery of the Old Bedford (verso)

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Dimensions

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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