Date
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Frontispiece (引首) by Luo Zhenyu 羅振玉: 石田老人溪雲欲雨圖卷 石渠寶笈三編著錄己未春羅振玉謹署題 Seals: 上虞羅氏,振玉印信
Inscription on Painting: 溪雲欲雨圖 弘治甲子仲夏四日長洲沈周画 [Clouds over the river before rain; on the fourth day of the fifth month in the year jiazi of the Hongzhi reign (1504), painted by Shen Zhou]. Artist's Seal:启南, Collectors' Seal: 嘉慶御覽之寶,石渠寶笈,寶笈三編,吳沈氏有竹莊圖書,嘉慶鑑賞,三希堂精鑑璽,宜子孫.
Colophons by Nagao Uzan 長尾 雨山 (1864–1942) and Naitō Konan 内藤 湖南(1866–1934) [see CMA Mi Youren handscroll, 33.220]
Dimensions
34.8 × 810.3 cm (13 3/4 × 319 in.)
Credit Line
Kate S. Buckingham Endowment Fund
Reference Number
1961.224
IIIF Manifest
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Archives of the Chinese Art Society of America, Vol. 16, (1962), pp. 104-124.
Hu Jing, et al., Shiqu baoji sanbian (1816; reprint, Taipei: National Palace Museum, 1969), vol. 4: 1779.
Min shitaka gafu (Osaka, 1924), pls. 14-16.
Naitô Torajirô, comp., Tôan-zô shogafu [Calligraphy and Painting in the Collection of Saito Tôan] (Osaka: Hakubundô, 1928), pl. 17:1-10.
John Ferguson, Lidai zhulu huamu (Nanjing, 1934), p. 156.
Osvald Sirén, A History of Later Chinese Painting (London, 1938), pl. 60.
Richard Edwards, The Field of Stones: A Study of the Art of Shen Chou (1427-1509) (Washington, D.C.: Smithsonian Institution: 1962), pp. 67-69, pls. 42-43, p. 108
Jack Sewell, Ming-Ch’ing Dynasties [Exh. cat.] (AIC, 1964), p. (14)
Stephen Little, “Chinese Paintings in the Art Institute of Chicago,” Arts of Asia, vol. 29, no. 3 (1999): 52, fig. 8.
The Art Institute of Chicago : Ming (1368-1644) Ching (1644-1921) dynasties Exhibition 1964
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