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The End of the Vulture, illustration for Melodic Incidents of the Irrational World, from Méndez: 25 Prints

A work made of wood engraving in black on grayish-ivory china paper.
© 2018 Artists Rights Society (ARS), New York / SOMAAP, Mexico City

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  • A work made of wood engraving in black on grayish-ivory china paper.

Date:

1944

Artist:

Leopoldo Méndez
Mexican, 1902-1969

About this artwork

The 1945 limited-edition portfolio, Méndez: 25 Prints—for which Carl Schniewind, then the Art Institute’s curator of prints and drawings, wrote the introduction —features a selection of Méndez’s book illustrations for Melodic Incidents of the Irrational World. For its dramatic cover, the artist reprised the book’s jaguar motif. Designed primarily for American collectors, the portfolio images were plucked from their original narrative context and printed on fine paper. With this marketing strategy, the Taller de Gráfica Popular aimed to appeal to international audiences by focusing on the powerful graphic qualities of the prints rather than their political messages.

Melodic Incidents of the Irrational World, featuring wood engravings and scratchboard prints by Méndez, won the best illustrated book award at Mexico City’s Fourth Book Fair in 1946, and the volume was a bestseller for the Taller de Gráfica Popular’s publishing arm, La Estampa Mexicana. Cabada’s story is an allegory of popular revolution told through the lens of traditional Mayan legends. It tells the tale of a snail-woman songstress and her squirrel husband, who are deceived by a vulture dressed unmistakably in capitalist top hat and suit coat. When the bird’s deeds are discovered, he meets his end through popular justice. Although Méndez rarely took up Pre-Columbian imagery, he drew here on ancient sources, such as the snake figure reminiscent of Mesoamerican codices, while inflecting them with a modern sensibility. The book design deftly intertwines Méndez’s sinuous images with verse, Maya-Quiché folk songs and their Spanish translations, and musical notation in a rhythmic dance appropriate to the story’s musical theme.

Español:
El portafolio de edición limitada de 1945, Méndez: 25 Prints, para el cual Carl Schniewind —entonces curador de grabados y dibujos del Art Institute— escribió la introducción, contiene una selección de las ilustraciones realizadas por Méndez para el libro Incidentes melódicos del mundo irracional. En la dramática portada, el artista retoma el motivo del tigre que aparece en el libro. Destinadas principalmente para coleccionistas estadounidenses, las imágenes del portafolio fueron aisladas de su contexto narrativo original e impresas en papel fino. A través de esta estrategia de venta, el Taller de Gráfica Popular procuraba llamar la atención de un público internacional enfocándose en las poderosas cualidades gráficas de los grabados más que en su mensaje político.

Incidentes melódicos del mundo irracional, con grabados en madera de pie e ilustraciones esgrafiadas de Méndez, ganó el premio para el mejor libro ilustrado en la 4a Feria del Libro de la Ciudad de México en 1946, y constituyó un éxito de venta para el brazo editorial del Taller de Gráfica Popular, La Estampa Mexicana. El cuento de Cabada es una alegoría de la revolución popular contada a través del prisma de las leyendas tradicionales mayas. Cuenta la historia de la cantante doña Caracol y de su esposo, el señor Ardilla, quienes son engañados por don Zopilote, ataviado con los inconfundibles signos capitalistas: el sombrero de copa alta y un saco elegante. Cuando se descubre su engaño, el pajarraco termina siendo ajusticiado por el pueblo. Aunque Méndez rara vez incorporó imágenes precolombinas, aquí recurre a símbolos antiguos, tales como la figura de la serpiente, reminiscente de los códices mesoamericanos, pero marcadas por una sensibilidad moderna. El diseño del libro entreteje diestramente las sinuosas imágenes de Méndez con el verso, las canciones tradicionales mayas-quiché y sus traducciones al español, y las anotaciones musicales en una danza rítmica apropiada para el tema musical de la narración.

Status

Currently Off View

Department

Prints and Drawings

Artist

Leopoldo Méndez

Title

The End of the Vulture, illustration for Melodic Incidents of the Irrational World, from Méndez: 25 Prints

Place

Mexico (Artist's nationality:)

Date  Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

1944

Medium

Wood engraving in black on grayish-ivory China paper

Dimensions

Image: 17.8 × 13.8 cm (7 1/16 × 5 7/16 in.); Sheet: 25 × 17.5 cm (9 7/8 × 6 15/16 in.)

Credit Line

William McCallin McKee Memorial Endowment

Reference Number

1944.819

Copyright

© 2018 Artists Rights Society (ARS), New York / SOMAAP, Mexico City

Extended information about this artwork

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

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