View of Saint Peter's in Rome

CC0 Public Domain Designation

Prints and Drawings

n.d.

Attributed to Jean–Auguste–Dominique Ingres
French, 1780–1867

Status: Currently Off View
Department: Prints and Drawings

Artist: Jean Auguste Dominique Ingres
Title: View of Saint Peter's in Rome
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1800–1867
Medium: Graphite on buff wove paper
Dimensions: 33.6 × 49 cm (13 1/4 × 19 5/16 in.)
Credit Line: Gift of the Joseph and Helen Regenstein Foundation
Reference Number: 1961.31
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/12865/manifest.json

Hans Naef, “Zu den Italienschen Ansichten von Ingres,” Das Werk, 45 (June 1958), pp. 209-14.
Gazette des Beaux-Arts, “La Chronique des Arts” 59 (February 1962), supplement p. 38, no. 140 (ill.).
Alfred Frankfurter, “Il bon disegno from Chicago,” Art News, 62:7 (November 1963), p. 28, fig. 1.
Nathan Goldstein, The Art of Responsive Drawing, 5th ed. (Upper Saddle River, 1999), pp. 341 and 343, fig. 12.16.

New York, Wildenstein and Company, “Master Drawings from The Art Institute of Chicago,” October 14-November 30, 1963, cat. 77, pl. XXXIII.
The Art Institute of Chicago, “Helen Regenstein Collection of European Drawings,” 1974, pp. 130-31, cat. 64 (ill.), cat. by Harold Joachim.
Brussels, Palais des Beaux-Arts de Bruxelles, “Ingres und Delacroix,” November 6-December 21, 1986, cat. 75 (ill.), cat. by Ernst Goldschmidt; traveled to Germany, Kunsthalle Tübingen, September 13-October 26, 1986.

A.B., stamp recto, lower right. Possibly, Second Baron Georges Brincard (1871–1953?). Private collection, Switzerland. Sold by Wildenstein and Company, to the Art Institute, 1961.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.