Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Jacques Dupin, Joan Miró: Life and Work (New York, 1962), p. 531 (ill.).
Jacques Dupin, Catalogue Raisonné. Paintings (Argenton-sur-Creuse, 1999), no. 444.
Chicago, Arts Club of Chicago, Joan Miró: Works from Chicago Collections, February 22–May 25, 1961, no. 22.
Tokyo, ASAHI Shimbun, Masterworks of the Modern Art from The Art Institute of Chicago; traveled to: Nagoya, Niigata Prefectural Museum of Modern Art, April 20–May 29, 1994; Nagoya, Aichi Prefectural Museum of Art, June 10–July 24, 1994; Yokohama Museum of Art, August 6–September 25, 1994.
Igor Markevitch, Switzerland (died 1983), until 1939 [letters January 6 and 7, 2004 from Ariane Lelong-Mainaud, ADOM, in curatorial file]; sold by him to Gérald Cramer, Geneva, 1939–1945 [letters mentioned above]; sold by him to Igor Markevitch, Switzerland, 1945 [letters mentioned above]; sold by him to Gérald Cramer, Geneva, 1945 [letter November 19, 1990 from Gérald Cramer, in curatorial file]; sold by him to Richard Feigen & Co., Chicago, in 1960 [letter November 19, 1990 mentioned above]; sold by the gallery to Mr. and Mrs. Harold X. Weinstein, Chicago, March 8, 1960 [letter February 26, 1976 from Lotte Drew-Bear, Richard Feigen and Co. in curatorial file]; given by them to the Art Institute, 1960.
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