Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Art Institute of Chicago, Annual Report 1960–1961, p. 19 (ill.).
Houston, Museum of Fine Arts, Derain before 1915, exh. cat. (Houston Museum of Fine Arts, 1962), n.p.
Grung, Sandra, Supplement to Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute, 1971), pp. 30.
A. James Speyer and Courtney Graham Donnell, Twentieth-Century European Paintings (Chicago, 1980), p. 38, pl. 1E5.
Michael Kellermann, André Derain: Catalogue raisonné de l’oeuvre paint 1 (Paris, 1992), p. 118, fig. 192, as Village en Espagne.
Pagé, Suzanne and Françoise Marquet, André Derain: le peintre du ‘trouble modern, exh. cat. (Musée d’Art Moderne de la Ville de Paris, 1994), pp. 174–75, cat. 81 (ill).
Ocaña, Maria Teresa, André Derain: 1904–1912, exh. cat. (Barcelona: Museu Picasso, 1997), p. 81, cat. 40 (ill.), as Saint-Paul-de-Vence.
Monery, Jean-Paul, and André Desrosiers, André Derain: Paysages du midi, exh. cat. (L’Annonciade musée de Saint-Tropez, 2003), pp. 41 (ill.), 42, 85 (ill.), cat. 16.
Baumann, Felix A., Walter Feilchenfeldt, and Hubertus Gassner, eds., Cézanne and the Dawn of Modern Art (Osrfildern-Ruit: Hatje Cantz Verlag, 2004), pp. 152–53, 160 (ill.), 187, 234.
Houston, Museum of Fine Arts, Derain before 1915, November 30, 1961–January 14, 1962, n.p.
Musée d’Art Moderne de la Ville de Paris, André Derain: Le peintre du trouble moderne, November 18, 1994–March 19, 1995, pp. 174–75, cat. 81 (ill.).
Barcelona, Museu Picasso, André Derain: 1904–1912, March 18–June 29, 1997, pp. 31, 81, 122–123, cat. 40 (ill.), as Saint-Paul-de-Vence.
L’Annonciade musée de Saint-Tropez, André Derain: Paysages du midi, June 15–October 6, 2003, pp. 41 (ill.), 42, 85 (ill.), cat. 16.
Essen, Museum Folkwang, Cezanne and the Dawn of Modern Art, September 18, 2004–January 16, 2005, pp. 152–53, 160 (ill.), 187, 234.
Galerie Kahnweiler, Paris, probably acquired directly from the artist. Louis Lion & Co., New York, by Feb. 1957 [verso inscription; this and the following according to letter from Knoedler and Co., Apr. 8, 1975, copy in curatorial file]; sold to Knoedler & Co., New York, Feb. 1957; sold to the Art Institute of Chicago, 1960.
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