Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Black chalk, with traces of white chalk, on blue laid paper
20.1 × 16.5 cm (7 15/16 × 6 1/2 in.)
Gift of Mrs. Joseph Regenstein
The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Harold Joachim and Suzanne Folds McCullagh, Italian Drawings in the Art Institute of Chicago (Chicago, 1979), pp. 83-84, no. 130, pl. 138.
Harold Joachim, Italian Drawings of the 18th and 19th Centuries and Spanish Drawings of the 17th through 19th Centuries (Chicago, 1980), p. 56, no. 2C10.
New York, Wildenstein and Company, “Master Drawings from The Art Institute of Chicago,” October 17-November 30, 1963, n.p., cat. 19.
The Art Institute of Chicago, “The Regenstein Collection of European Drawings,” 1974, pp. 38-39, cat. 18 (ill.), by Harold Joachim.
The Art Institute of Chicago, “151 Italian Drawings from The Art Institute of Chicago,” 1979-1980, cat. 130, by Harold Joachim and Suzanne Folds McCullagh; traveled to Washington, D.C., The National Gallery of Art.
The Art Institute of Chicago, “18th Century Venetian Drawings,” January 11-May 5, 1985.
The Art Institute of Chicago, “Recent Acquisitions to the Regenstein Collection,” February 20-April 28, 1995.
The Art Institute of Chicago, June 15-July 17, 1995.
Sold by P. & D. Colnaghi, London, to Kleinberger Galleries, New York, June 1960 [Kleinberger inventory card]; sold to the Art Institute, 1960.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.