Jesus in the House of Jairus

CC0 Public Domain Designation

Prints and Drawings

1790/1804

Giovanni Domenico Tiepolo
Italian, 1727-1804

Status: Currently Off View
Department: Prints and Drawings

Artist: Giovanni Domenico Tiepolo
Title: Jesus in the House of Jairus
Place: Italy (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1780–1804
Medium: Pen and brown ink and brush and brown and black and gray wash, over black chalk, on ivory laid paper
Dimensions: 47.8 × 38.1 cm (18 7/8 × 15 in.)
Credit Line: Margaret Day Blake Collection
Reference Number: 1960.547
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/12188/manifest.json

Henri Guerlin, “Giovanni-Domenico Tiepolo, une collection de ses dessins,” Revue de l’Art 39 (1921), p. 223.
Art Quarterly, XXIV (Spring 1961), pp. 97 and 102 (ill.).
John Maxon, The Art Institute of Chicago (London, 1970), pp. 151-152 (ill.).
Harold Joachim, Italian Drawings of the 18th and 19th Centuries and Spanish Drawings of the 17th through 19th Centuries (Chicago, 1980), pp. 53-54, no. 2C4.

New York, Jacques Seligmann and Company, 1960.
New York, Wildenstein and Company, “Master Drawings from The Art Institute of Chicago,” October 17-November 30, 1963, n.p., cat. 23, pl. VII.
The Art Institute of Chicago, “A Quarter Century of Collecting: Drawings Given to The Art Institute of Chicago 1944-1970 by Margaret Day Blake,” April 28-June 7, 1970, n.p., cat. 21 (ill.).
The Art Institute of Chicago, “151 Italian Drawings from The Art Institute of Chicago,” 1979-1980, cat. 142, cat. by Harold Joachim and Suzanne Folds McCullagh; traveled to Washington D.C., The National Gallery of Art.
The Art Institute of Chicago, “18th Century Venetian Drawings,” January 11-May 5, 1985.
The Art Institute of Chicago, “Great Drawings from The Art Institute of Chicago: The Harold Joachim Years 1958-1983,” July 24-September 30, 1985, pp. 62-63, cat. 22 (ill.), cat. by Martha Tedeschi; traveled to the St. Louis Art Museum, March 10-May 16, 1986.
New York, The Frick Collection, “Domenico Tiepolo: A New Testament,” October 24, 2006-January 7, 2007.

Luzarches, Tours, France, to Rogier Cormier, Tours, France, 1868 [according Guerlin 1921]; sold, Galerie Georges Petit, Paris, April 30, 1921, lot 26. Sold by Jacques Seligmann and Company, New York, to the Art Institute, 1960.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.