Although he began his career as a documentarian, Aaron Siskind quickly became known for photographs that concerned themselves with exploring internal formal relationships rather than depicting recognizable objects. Active in the artistic milieu of postwar New York, Siskind made photographs in dialogue with the work of the Abstract Expressionist painters, with whom he was socially and professionally close. He sought to find a new language for photographic depiction that could transcend what was in front of the camera. “First, and emphatically,” he wrote in 1950, “I accept the flat plane of the picture surface as the primary frame of reference of the picture.” Siskind’s radically abstract photographs of walls covered with graffiti, chalk, or peeling paint and paper would be recognized as a pioneering development in 20th-century photography.
Date
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Signed recto, on mount, lower right, below image, in black ink: "Aaron Siskind"; signed verso, on mount, center, in graphite: "Aaron Siskind"; inscribed verso, on mount, lower left, in graphite: "North Carolina 11, 1951"
Dimensions
Image/paper: 34.1 × 23.6 cm (13 7/16 × 9 5/16 in.); Mount: 55.8 × 45.7 cm (22 × 18 in.)
Travis, David and Elizabeth Siegel. 2002. “Taken by Design: Photographs from the Institute of Design, 1937–1971,” Exh. cat. Art Institute of Chicago/University of Chicago Press. p. 130, cat. 174, pl. 116.
Siskind, Aaron. 2003. “Aaron Siskind 100.” Exh. cat. Powerhouse Books. n.pag. (other print of this image)
Art Institute of Chicago, “Taken by Design: Photographs from the Institute of Design, 1937–1971,” March 2–May 12, 2002; traveled to San Francisco Museum of Modern Art, July 20–October 20, 2002; and Philadelphia Museum of Art, December 7, 2002–March 2, 2003. (David Travis and Elizabeth Siegel)
Houston, Texas, Museum of Fine Arts, “Aaron Siskind 100,” July 3-September 26, 2004; previously traveled to The Museum of Contemporary Art, Los Angeles, California, September 30, 2001-January 6, 2002; Zoellner Arts Center, Lehigh University, Bethlehem, Pennsylvania, January 29-March 16, 2003; Center for Creative Photography, Tuscon, Arizona, March 8-July 6, 2003; Museum of Contemporary Photography, Columbia College, Chicago, Illinois, July 25-September 8, 2003; Madison Art Center, Madison, Wisconsin, September 6, 2003-January 4, 2004; Princeton University Art Museum, Princeton, New Jersey, September 9-November 9, 2003; Cleveland Museum of Art, Cleveland, Ohio, September 13-November 19, 2003; Whitney Museum of American Art, New York, New York, October 15, 2003-January 4, 2004; The Studio Museum in Harlem, New York, New York, October 15, 2003-January 4, 2004; Hanmi Museum of Photography, Seoul, Korea, November 1-December 13, 2003; The RISD Museum, Providence, Rhode Island, November 14, 2003-January 25, 2004.
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