Jonas Holman worked as a portrait painter, writer, doctor, and preacher, supporting himself through these vocations as he traveled among Baptist congregations. By 1827 he had made his way to Philadelphia where he painted seven known portraits, among them Woman with a Book and Man with a Pen. In these works Holman substituted a brilliant, tasseled curtain for a plain background. He showed his sitters in painted “fancy” chairs, with broad, Greek Revival crest rails, similar to painted furniture made in Philadelphia or Baltimore. Like Ammi Phillips, Holman used props that pointed to the sitters’ erudition; he also concentrated on the details of his sitters’ costumes, showing women with rings and earrings and men with stickpins fastened to cravats.
Date
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Art Institute of Chicago, Calendar 1983, May/June 1983, p. 3 (ill.).
Judith A. Barter and Monica Obniski, “For Kith and Kin: The Folk Art Collection at the Art Institute of Chicago,” (Chicago: Art Institute of Chicago/Yale University Press, 2012) no. 26.
Elizabeth McGoey and Elizabeth Siegel, “Photography + Folk Art at the Art Institute of Chicago,” The Decorative Arts Trust Magazine (Summer 2019): 16, fig. 4 (ill.).
Chicago, Charles A. Stevens Store, Mar. 27–May 27, 1956.
Art Institute of Chicago, Photography + Folk Art: Looking for America in the 1930s, Sept. 21, 2019–Jan. 19, 2020, no cat.
Philadelphia Collection; sold to Downtown Gallery / American Folk Art Gallery, New York, NY, by 1938; sold to Robert Allerton, Chicago, 1938; given to the Art Institute of Chicago, 1946.
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