Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Dawn Ades, with Margherita Andreotti and Adam Jolles, Surrealist Art: The Lindy and Edwin Bergman Collection at the Art Institute of Chicago (Chicago: Art Institute of Chicago, 1997), pp. 198-201 cat. 99 (color ill.).
Probably Paris, La Galerie Pierre, “Exposition Joan Miró,” 1925, as one of “15 dessins” (15 drawings).
Chicago, Museum of Contemporary Art, “Dada and Surrealism in Chicago Collections,” 1984–1985, p. 196 (ill.).
Art Institute of Chicago, “A Tribute to Edwin A. Bergman (1917–1986): Selections from the Lindy and Edwin Bergman Collection,” 1986, pamphlet no. 42.
Sold by Pierre Matisse Gallery, New York, and E.V. Thaw and Co., Inc., New York, to Herbert Ferber [statement of authentication of Feb. 24, 1972, by Eugene V. Thaw]. Charles Collingwood, New York [label on the back of a photograph of “Viticulture” from the André Emmerich Gallery, New York]. Sold by Dain Gallery, New York, to Lindy and Edwin Bergman, Chicago, 1972; given to the Art Institute of Chicago, 2018.
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