Graveyard, Houses, and Steel Mill, Bethlehem, Pennsylvania
Place
United States (Artist's nationality:)
Date
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Inscribed recto, in negative, upper right, backwards, in white: "RA1167A"; inscribed verso, upper right, sideways, in graphite: "d [?]-58"; verso, lower left, in graphite: 9-87 / 573"; stamped and inscribed verso, lower center, in black ink and graphite: "Walker Evans [stamped black ink] / II [inscribed in graphite/in stamped tectangle] 142 [inscribed in graphite/in stamped rectangle]"; inscribed verso, lower right, in graphite: "Box 14"
Art Institute of Chicago, “Walker Evans: Leaving Things as They Are,” September 12–November 8, 1987. (David Travis)
Art Institute of Chicago, “After the Crash: Picturing the United States 1930-1943,” October 21, 2000–January 28, 2001. (Mark Pascal and Kristin Nagel Merrill)(Gallery 1)
Art Institute of Chicago, “Hot Streaks,” February 21–May 2, 2004. (David Travis)
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