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Standard Station

A work made of color screenprint on ivory wove paper.

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  • A work made of color screenprint on ivory wove paper.




Ed Ruscha (American, born 1937)
printed by Art Krebs, Los Angeles
published by Audrey Sabol, Villanova, Pennsylvania

About this artwork

Standard Station was the first print on which Ruscha collaborated with a publisher, who financed the edition but left the execution up to the artist. Ruscha’s book of photographs Twenty-six Gasoline Stations, specifically the page depicting a Standard Oil station in Amarillo, Texas, provided the model for this print and for a painting he made in 1963. Of particular note is the execution of the graded sky colors. Ruscha achieved this effect through the use of a “split fountain,” a technique of blending ink to create a rainbow effect. Originally created for commercial printing (the split fountain had been used in commercial lithographic and screenprinting shops for many years), Ruscha was one of the first to adapt it to fine-art printing. As the art historian Riva Castleman has pointed out, the garish rainbow effect achieved by Ruscha in this print was so often imitated that, by the late 1960s, it had become a printing cliché.


Currently Off View


Prints and Drawings


Edward Joseph Ruscha


Standard Station


United States


Made 1966


Color screenprint on ivory wove paper


494 × 935 mm (image); 647 × 1009 mm (sheet)

Credit Line

Harold Joachim Purchase Fund

Reference Number


Extended information about this artwork

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.


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