Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Bernard S. Myers, The German Expressionists: A Generation in Revolt (New York, 1957), pp. 249–50, (ill.), pl. 204, as The Harbor–Der Hafen.
Peter Howard Selz, German Expressionist Painting (Berkeley,1957), pp. 279–80, n.p. (ill), pl. 117, as Harbor.
Hans Hess, Lyonel Feininger (New York, 1961), p. 261 (ill.), fig. 142.
New York, Curt Valentin Gallery, September 24–October 13, 1951, Lehmbruck and his Contemporaries, n.p., cat. no. 19, (ill.), as Harbor.
New York, Curt Valentin Gallery, n.p., cat. no. 9, as Harbor.
Krefeld Museum, Rhineland, Germany, by 1944 [1944 annotated list of paintings by Mrs. Feininger in Museum of Modern Art Archives]. Joseph H. Hirshhorn, New York, by 1958 [letter June 9, 1958 from Julia Feininger to Abram Lerner, Curator, Hirshhorn Collection]. Harold Diamond, New York, 1960 [receipt, March 3, 1960, in Hirshhorn Collection Archives]. Martin Nachman, New York [receipt, June 2, 1972, from E. V. Thaw, New York, in curatorial file]. Maurice and Muriel F. Fulton, Glencoe, Ill., June 2, 1972 to December 1991 [receipt, June 2, 1972, from E. V. Thaw, New York, in curatorial file]; given to the Art Institute, 1991.
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