Date
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Katherine D. Dreier and René Drouin, eds., Antoine Pevsner, exh. cat. (Paris: Galerie René Drouin,1947), n.p., cat 13 (ill.), as Fresque.
Herbert Read, ed., Gabo-Pevsner, exh. cat. (New York: Museum of Modern Art, 1948), 82, no cat. no.
Wilhelm Wartmann, ed., Antoine Pevsner, Georges Vantongerloo, Max Bill (Zurich: Kunsthaus Zurich, 1949), n.p., cat. 18, as Fresque.
René Massat, “Antoine Pevsner,” Cahiers d’art, 11 (1950), 357 (ill.).
Musée des Beaux–Arts de la Ville de Paris, Salon des Réalités Nouvelles, exh. cat. (Paris: Musée des Beaux–Arts de la Ville de Paris, 1950), n.p., cat. 40.
Marcel Brion, Art abstrait (Paris: Albin Michel, 1956), page number pending (ill.).
René Massat, Antoine Pevsner et le constructivisme (Paris: Caracteres, 1956), 77 (ill.).
Bernard Dorival, ed., Antoine Pevsner, exh. cat. (Paris: Editions des musées nationaux, 1956) 20, cat. 40, n.p., pl. XIII (ill.), as Fresque pour une cathédrale.
La Biennale di Venezia, XXIX esposizione internazionale d’arte, exh. cat. (Venice: La Biennale di Venezia, 1958), 250, cat. 80 (not ill.), as Affresco per una cattedrale.
Francoise Choay, “Espace et sculpture: Antoine Pevsner,” France-Observateur, Jan. 3, 1957, 59.
Werner Hofmann, Die Plastik des 20. Jahrhunderts (Francfort-sur-le-Main: Discher Bucherei, 1958), 133.
John Maxon, “Fresque by Antoine Pevsner,” The Art Institute of Chicago Quarterly vol. 54, no. 2 (Apr. 1960), 2 (ill.).
Pierre Peissi, ed., Antoine Pevsner - Tribute by a Friend, trans. Haakon Chevalier (Neuchatel: Editions de Griffon, 1961),150, cat. 93, n.p. (color ill.).
James Speyer, “Twentieth Century European Painting and Sculpture,” Apollo, LXXXIV, (Sept. 1966), 224, (ill.).
Jean-Claude Marcadé, Pevsner, 1884-1962: colloque international Antoine Pevsner tenu au musée Rodin en décembre 1992 (Paris: Les Amis d´Antoine Pevnser, 1995), 81, (ill.).
Elisabeth Lebon and Pierre Brullé, eds., Antoine Pevsner: catalogue raisonné de l’œuvre sculpté (Paris: Association Les amis d’Antoine Pevsner and Galerie-Editions Pierre Brullé, 2002), 18, 142, cat. 53, 143 (ill.), 271, 272, 273, 276.
Paris, Galerie René Drouin, Art concret, June 15–July 13, 1945, no cat.
Paris, Galerie René Drouin, Antoine Pevsner, June 19–July 12, 1947, cat. 13, as Fresque.
New York, Museum of Modern Art, Gabo-Pevsner, Feb. 24–Apr. 25, 1948, no cat. no., as Fresco.
Zurich, Kunsthaus Zurich, Antoine Pevsner, Georges Vantongerloo, Max Bill, Oct. 15–Nov. 13, 1949, cat. 18, as Fresque.
Paris, Palais des Beaux-Arts de la Ville de Paris, Salon des Réalités Nouvelles, June 10–July 15, 1950, cat. 424, as Fresque.
Paris, Musée National d’Art Moderne, Antoine Pevsner, Dec. 21, 1956–Mar. 10, 1957, cat. 40, as Fresque pour une cathédrale.
Venice, La biennale di Venezia, XXIX esposizione internazionale d’arte, June 14–Oct. 19, 1958, cat. 80, as Affresco per una cattedrale.
The artist; sold to the Art Institute of Chicago, Dec. 7, 1959.
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