The Yellow Christ (recto), Female Bather Wading through a Brook

• Association Paris–Amerique Latine, Exposition rétrospective: Hommage au génial artiste franco-péruvien Gauguin, with introductions by F. Cossio del Pomar and G. Daniel de Monfreid, exh. cat. (n.p., 1926), n.pag., cat. 84.
• Kunsthalle Basel, Paul Gauguin, 1848–1903, exh. cat. (Kunsthalle Basel, 1928), p. 26, cat. 149.
• Kunsthalle Basel, Paul Gauguin, 1848–1903, exh. cat., 2nd ed. (Kunsthalle Basel, 1928), p. 26, cat. 136.
• Galerien Thannhauser, Paul Gauguin, 1848–1903, introduction by W. Barth, exh. cat. (Galerien Thannhauser, 1928), p. 13, cat. 107.
• Leicester Galleries, Catalogue of an Exhibition of the Durrio Collection of Works by Paul Gauguin, exh. cat. (Ernest Brown & Phillips, 1931), p. 12, cat. 80.
• Daniel Catton Rich, Loan Exhibition of Modern Paintings and Drawings from Private Collections in Chicago, exh. cat. (Arts Club of Chicago, 1938), cat. 51.
• Robert Goldwater and Carl O. Schniewind, Gauguin: Loan Exhibition for the Benefit of the Citizens’ Committee for Children of New York City, Inc., exh. cat. (Wildenstein & Co., 1956), p. 20, cat. 59.
• Robert Goldwater, Paul Gauguin (Abrams, 1957), p. 56 (ill.).
• John Rewald, Gauguin Drawings, Bittner Art Book (T. Yoseloff, 1958), p. 25, pl. 20 (ill.).
• Art Institute of Chicago and Metropolitan Museum of Art, New York, Gauguin: Paintings, Drawings, Prints, Sculpture, exh. cat. (Art Institute of Chicago, 1959), p. 65, cat. 80.
• Sven Lövgren, The Genesis of Modernism: Seurat, Gauguin, van Gogh, and French Symbolism in the 1880’s (Almquist & Wiksell, 1959), p. 123, fig. 19.
• Jean Leymarie, Water-colours, Pastels and Drawings in Colour (Faber & Faber, 1961), no pag., no. 10 (ill.).34 Translated as Gauguin: Aquarelles, pastels et dessins (Skira, 1988), p. 38 (ill.).
• Georges Wildenstein, Gauguin, with Raymond Cogniat and Daniel Wildenstein, vol. 1, Catalogue (Beaux-Arts, 1964), p. 125, under cat. 327.
• Mark Roskill, “An Unexpected Gauguin Discovery,” Bulletin of the Museum of Fine Arts 62, no. 328 (1964), p. 87, note 16.
• Solomon R. Guggenheim Museum, Gauguin and the Decorative Style, exh. cat. (Solomon R. Guggenheim Museum, 1966), no pag.
• Mark Roskill, Van Gogh, Gauguin, and French Painting of the 1880s: A Catalogue Raisonné of Key Works (University Microfilms, 1970), p. 186.
• Ronald Pickvance, The Drawings of Gauguin (P. Hamlyn, 1970), p. 27, pl. 39.
• Brian E. Halsey, Paul Gauguin: A Study of the Christ Theme in His Art and Thought (Ph.D. diss., Florida State University, 1972), pp. 129, 131–32, fig. 36.
• Richard R. Brettell, Françoise Cachin, Claire Frèches-Thory, and Charles F. Stuckey, The Art of Paul Gauguin, with assistance from Peter Zegers, exh. cat. (National Gallery of Art, Washington, D.C./Art Institute of Chicago/New York Graphic Society Books, 1988), p. 157.
• Ingo F. Walther, Paul Gauguin (1848–1903): The Primitive Sophisticate (B. Taschen, 1992), p. 26 (ill.).
• Javier González de Durana, Miriam Alzuri, and María Amezaga, Francisco Durrio (1868–1940): Sobre las huellas de Gauguin, exh. cat. (Museo de Bellas Artes de Bilbao, 2013), p. 208, no. 1 (ill.).

• Paris, Association Paris Amerique Latine, “Exposition Retrospective: Hommage au Génial Artiste Franca-Péruvien Gauguin,” December 17, 1926, cat. 84.
• Kunsthalle Basel, “Paul Gauguin,” July-August, 1928, p. 26, cat. 149 (1st ed.), cat. 136 (2nd ed.).
• Berlin, Galerien Thannhauser, “Paul Gauguin: 1848-1903,” October 1928, p. 13, cat. 107.
• London, The Leicester Galleries, “Catalogue of an Exhibition of the Durrio Collection of Works by Paul Gauguin (1848-1903),” May-June, 1931, p. 12, cat. 80.
• The Chicago Arts Club, “Loan Exhibition of Modern Paintings and Drawings from Private Collections in Chicago,” November 4-25, 1938, cat. 51.
• New York, Wildenstein and Company, “Gauguin,” April 5-May 5, 1956, p. 20, cat. 59.
• The Art Institute of Chicago, “Gauguin: Paintings, Drawings, Prints, Sculpture,” February 12-March 29, 1959, p. 65, cat. 80; traveled to the Metropolitan Museum of Art, New York, April 23-May 31, 1959.
• New York, The Solomon R. Guggenheim Museum, “Gauguin and the Decorative Style,” June–September, 1966, n.p.

From the artist to Francisco “Paco” Durrio (1868–1940), Paris, between 1893 and 1895 [Museo de Bellas Artes de Bilbao, 2013]; left by Francisco “Paco” Durrio at Kunsthalle Basel for exhibition in 1928 [Basel, 1928]. Walther Geiser (1897–1993), Basel, by Jan. 18, 1931 [Geiser personal papers]; consigned by Walther Geiser to Lucas Lichtenhan (1897–1969), Basel, on Jan. 18, 1931 [Geiser personal papers]; sold by Lucas Lichtenhan, as the agent for Walther Geiser, London, 1931 [Geiser personal papers]. Albert Roullier Art Galleries, Chicago, by Dec. 21, 1931 [Chicago, 1931]. Mrs. Charles Goodspeed (née Elizabeth Fuller, later Mrs. Gilbert Chapman; 1893–1980), Chicago, by 1938 [Chicago 1938]; bequeathed by the estate of Elizabeth F. Chapman to the Art Institute, 1981.