Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Sidney Geist, Brancusi: The Sculpture and Drawings (New York, 1975), p. 32, dated c. 1918.
Friedrich Teja Bach, Constantin Brancusi: Metamorphosen Plasticher Form (Cologne, 1987), p. 132, fig. 191, dated c. 1918.
Sandy Brooke, Hooked on Drawing (Englewood Cliffs, N.J., 1996), p. 157 (ill.), dated c. 1918.
New York, Sidney Janis Gallery, “Brancusi/Mondrian,” December 2-31, 1982.
Paris, Centre Georges Pompidou, “Constantin Brancusi,” April 14-August 21, 1995, p. 309, cat. 147 (ill.); traveled to the Philadelphia Museum of Art, October 8-December 31, 1995.
Albert Roullier Art Galleries, Chicago [label]. Elizabeth F. Chapman (née Fuller, later Goodspeed; 1893-1980), New York, by 1950 [according to AIC permanent receipt RX137 dated Nov. 17, 1950]; bequeathed to the Art Institute of Chicago, 1981.
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