Date
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
IIIF Manifest
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Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 192-93, no. 250.
Treasures from The Art Institute of Chicago, selected by James N. Wood, with commentaries by Debra N. Mancoff (Chicago, 2000), p. 90 (ill. verso).
New York, Wildenstein and Company, “Master Drawings from The Art Institute of Chicago,” October 17-November 30, 1963, n.p., cat. 2, pl. III.
The Art Institute of Chicago, “Great Drawings from The Art Institute of Chicago: The Harold Joachim Years 1958-1983,” July 24-September 30, 1985, pp. 24-25, cat. 1 (ill.), cat. by Martha Tedeschi.
Paris, Musée du Louvre, “Pisanello,” May 6-August 5, 1996.
The Art Institute of Chicago, “Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago,” April 10, 1997-July 22, 1997.
Florence, Palazzo Pitti, “Islam, specchio d’Oriente, rarità e preziosi nelle collezioni statali fiorentine,” April 23-September 1, 2002, p. 44, fig. 3.
New York, The Metropolitan Museum of Art, “Byzantium: Faith and Power (1261–1557),” March 15-July 4, 2004.
McCullagh & Giles 250
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