Pen and iron gall ink with brush and brown wash, over graphite, on cream wove paper, perimeter mounted on ivory laid paper
174 × 225 mm
Margaret Day Blake Collection
Extended information about this artwork
Lorenz Eitner, Géricault: An Album of Drawings in The Art Institute of Chicago (Chicago 1960), p. 35 (ill.).
Harold Joachim and Sandra Haller Olsen, French Drawings and Sketchbooks of the Nineteenth Century, I (Chicago, 1978), pp. 65 and 78, no. 4A6.
Germain Bazin, Théodore Géricault, Étude Critique, Documents et Catalogue Raisonné, III (Paris, 1989), p. 171, no. 788 (ill.).
Gary Tinterow, “Times of Day,” The Metropolitan Museum of Art Bulletin, XLVIII: 3 (Winter 1990-91), p. 56, cat. 12 (ill.).
New York, Metropolitan Museum of Art, “Aquisition in Focus: Théodore Géricault’s Evening: Landscape with Aqueduct,” November 19, 1990-February 10, 1991.
Probably Ary Scheffer, Paris; sold, Hôtel Drouot, Paris, March 15-16, 1859, lot 16, to Anatole-Auguste Hulot [according to Paris 1991 exh. cat.]; sold, Hôtel Drouot, Paris, January 11-13, 1894. Baron Joseph Vitta (died 1942), Paris [according to Paris 1991 exh. cat.]. Sold by Cesar de Hauke to the Art Institute, 1947.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email .