Il Ridotto

• Gustavo Frizzoni, “Miscellanea: Notizie di Germania,” L’Arte 5 (1902), pp. 344-346.
• George Simonson, “La Mascherata al Ridotto in Venezia di Francesco Guardi,” L’Arte 10 (1907), p. 244.
• Hermann Voss, “Studien zur venezianischen Vedutenmalerei des 18 Jahrhunderts,” Repertorium für Kunstwissenschaft 47 (1926), p. 42 (ill.).
• Ettore Modigliani, Ancora sull Ridotto di Giovanni Antonio Guardi al Museo Correr,” Dedalo 1 (1926-1927), p. 438.
• James Byam Shaw, “Some Venetian Draughtsmen of the Eighteenth Century,” Old Master Drawings 7 (March 1933), pp. 47-48.
• Victor Lasareff, “Francesco and Gianantonio Guardi,” The Burlington Magazine (August 1934), pp. 54, 57.
• Art News XXXIX (November 16, 1940), p.10 (ill.).
• Rodolfo Pallucchini, Die Zeichnungen Guardis im Museum Correr (1942), p. 15.
• Rodolfo Pallucchini, Disegni del Guardi a Museo Correr di Venezia (Venice, 1943), p. 15.
• Edoardo Arslan, “Per la Definizione dell’Arte di Francesco, Giannantonio e Niccolo Guardi,” Emporium 23 (December 1944), pp. 2-28.
• Otto Benesch, Venetian Drawings of the Eighteenth Century in America (New York, 1947), no. 56 (ill.).
• Hans Tietze, European Master Drawings in the United States (New York, 1947), pp. 190-191, no. 95 (ill.).
• Rodolfo Pallucchini, “Disegni Veneziani del Settecento in America,” Arte Veneta (1948), p. 158.
• James Byam Shaw, The Drawings of Francesco Guardi (London, 1951), pp. 43, 47.
• Antonio Morassi, “Conclusion su Antonio e Francesco Guardi,” Emporium CXIV (November 1951), p. 202.
• Vittorio Moschini, Francesco Guardi (Milan, 1952), pp. 9-10 (ill.).
• Antonio Morassi, “A Signed Drawing by Antonio Guardi and the Problem of the Guardi Brothers,” The Burlington Magazine XCV (January-December 1953), pp. 263, 264.
• “The Century of Mozart,” The Nelson Gallery and the Atkins Museum Bulletin I (January-March 1956), no. 142 (ill.).
• Vittorio Moschini (1956), p. 9 (ill.).
• Frederic Taubes, “Guardi and the Romantic Spirit,” American Artist 21 (December 1957), p. 39 (ill.).
• Terisio Pignatti, “Un Disegno di Antonio Guardi Donato al Museo Correr,” Bollettino dei Musei Civici Veneziani (1957), p. 29, no. 5.
• Rodolfo Pallucchini, “Note alla Mostra dei Guardi,” Arte Veneta 19 (1965), pp. 223-224.
• Jean Cailleux, “Les Guardi et Pietro Longhi,” Problemi Guardeschi (Venice, 1966), p. 52.
• Terisio Pignatti, Disegni dei Guardi (Florence, 1967), no. XVI (ill.).
• Antonio Morassi, Guardi: Antonio e Francesco Guardi, (Venice, 1973), no. 233 (ill.).
• Antonio Morassi, Guardi, I Disegni, (Venice, 1975), pp. 18 and 89-90, no. 56, fig. 50.
• Alice Binion, Antonio and Francesco Guardi: Their Life and Milieu, With a Catalogue of their Figure Drawings (New York and London, 1976), no. 88 (ill.).
• Harold Joachim and Suzanne Folds McCullagh, Italian Drawings in the Art Institute of Chicago, Chicago and London, 1979, pp. 82-83, no. 128, pl. 134.
• Harold Joachim, Italian Drawings of the 18th and 19th Centuries and Spanish Drawings of the 17th through 19th Centuries (Chicago, 1980), no. 1D2.
• Dario Succi, Francesco Guardi: Itinerario dell’avventura artistica, (Cinisello Balsamo, 1993), pp. 225 and 226 (ill.).

• The Art Institute of Chicago, “Drawings Old and New,” 1946, p. 18, cat. 29, pl. III.
• Cambridge, Mass., Fogg Art Museum, Harvard University, “Venice in the Eighteenth Century,” 1948, cat. 41.
• Detroit Institute of Arts, “An Exhibition of Venice and the Eighteenth Century,” 1952, cat. 41.
• Kansas City, Mo., The Nelson Gallery and the Atkins Museum, “The Century of Mozart,” January 15-March 4, 1956, cat. 142.
• Wellesley, Mass., Jewett Art Center, Wellesley College, “Eighteenth Century Italian Drawings,” April 11-May 5, 1960, cat. 33; traveled to the Charles Slatkin Gallery, New York, May 9-23, 1960.
• New York, Wildenstein and Company, “Master Drawings from The Art Isntitute of Chicago,” October 17-November 30, 1963, n.p., cat. 18.
• Venice, Palazzo Grassi, “Mostra dei Guardi,” June 5-October 10, 1965, cat. 9.
• The Art Institute of Chicago, “A Quarter Century of Collecting: Drawings Given to The Art Institute of Chicago 1944-1970 by Margaret Day Blake,” April 28-June 7, 1970, n.p., cat. 17 (ill.).
• Washington D.C, International Exhibitions Foundation, “Venetian Drawings from American Collections,” 1974-1975, cat. 54; exhibited at the National Gallery of Art, Washington D.C., September 1974, the Kimbell Art Museum, Fort Worth, Tex., and the Toledo Museum of Art, April 1975.
• The Art Institute of Chicago, “151 Italian Drawings from The Art Institute of Chicago,” 1979-1980, cat. 128, cat. by Harold Joachim and Suzanne Folds McCullagh; traveled to the National Gallery of Art, Washington, D.C.
• The Art Institute of Chicago, “18th Century Venetian Drawings,” January 11-May 5, 1985.
• Castello di Gorizia, “Guardi: Metamorfosi dell’immagine (Problemi critici per Antonio, Francesco e Giacomo),” June-September 1987, p. 169, cat. E5.
• London, The Royal Academy of Arts, “Art in the Eighteenth Century: The Glory of Venice,” September 15-December 14, 1994, pp. 455-56, cat. 202; traveled to Washington, D.C., The National Gallery of Art, January 29-April 23, 1995

Gustavo Frizzoni [Simonson 1907]. Paul von Schwabach (died 1938), Berlin, by 1926 [Voss 1926.]. Sold by Durlacher Brothers, New York, to the Art Institute, 1944.