Woman Mending

• Katalog over Martsudstillingen, 58 Vesterbrogade, exh. cat. (1911), p. 2, cat. 34.
• Stafford Gallery, Exhibition of Pictures by Camille Pissarro, 1830–1903, exh. cat. (Stafford Gallery, 1911), p. 10, cat. 11.
• Ludovic Rodo Pissarro and Lionello Venturi, Camille Pissarro: Son art—son oeuvre, vol. 1, Texte (P. Rosenberg, 1939), p. 210, cat. 934.
• Ludovic Rodo Pissarro and Lionello Venturi, Camille Pissarro: Son art—son oeuvre, vol. 2, Planche (P. Rosenberg, 1939), pl. 189, cat. 934.
• John Rewald, Pissarro (Braun & Cie, [1940]), cat. 48 (ill.).
• Frederick A. Sweet, “Pissarro’s Young Woman Mending,” Art Institute of Chicago Quarterly 54, 2 (Apr. 1960), pp. 17–19 (ill.).
• Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), p. 359.
• Charles C. Cunningham and Satoshi Takahashi, Shikago bijutsukan [Art Institute of Chicago], Museums of the World 32 (Kodansha, 1970), pp. 48 (ill.), 162–63.
• John Maxon, The Art Institute of Chicago (Abrams, 1970), pp. 268 (ill.), 285.
• Raymond Cogniat, Pissarro (Flammarion, 1974), p. 73 (ill.).
• Christopher Lloyd, Pissarro (Phaidon, 1979), p. 15, pl. 34.
• Ralph E. Shikes and Paula Harper, Pissarro: His Life and Work (Horizon, 1980), p. 291 (ill.).
• Christopher Lloyd, Camille Pissarro (Skira/Rizzoli, 1981), p. 98 (ill.).
• Christopher Lloyd, “Camille Pissarro: Towards a Reassessment,” Art International 25, 1–2 (Jan. 1982), p. 64 (ill.).
• Art Institute of Chicago, Seibu Museum of Art, Kyoto Municipal Museum of Art, and Fukuoka Art Museum, eds., Shikago bijutsukan insho-ha ten [The impressionist tradition: Masterpieces from the Art Institute of Chicago], trans. Akihiko Inoue, Hideo Namba, Heisaku Harada, and Yoko Maeda, exh. cat. (Nihon Nippon Television Network, 1985), pp. 104, cat. 49 (ill.); 105 (detail); 154, cat. 49 (ill.).
• Janine Bailly-Herzberg, ed., Correspondance de Camille Pissarro, vol. 4, 1895–1898 (Valhermeil, 1989), pp. 127 (letter 1181); 129, n. 2; 149 (letter 1199).
• Art Institute of Chicago, Treasures of 19th- and 20th-Century Painting: The Art Institute of Chicago, with an introduction by James N. Wood (Art Institute of Chicago/Abbeville, 1993), p. 126 (ill.).
• Joachim Pissarro, Camille Pissarro (Abrams, 1993), p. 169, cat. 179 (ill.).
• Joachim Pissarro and Stephanie Rachum, Camille Pissarro: Impressionist Innovator, exh. cat. (Israel Museum, Jerusalem, 1994), p. 56 (ill.).
• Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), pp. 368, 369, 370, 386, 409.
• Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 3, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), p. 694, cat. 1098 (ill.).
• Terence Maloon, ed., Camille Pissarro, exh. cat. (Art Gallery of New South Wales, 2005), pp. 207; 208, cat. 98 (ill.); 254.
• Richard Shiff, “The Restless Worker,” in Terence Maloon, ed., Camille Pissarro, exh. cat. (Art Gallery of New South Wales, 2005), p. 38.
• Richard Brettell, Pissarro’s People, exh. cat. (Fine Arts Museums of San Francisco/Sterling and Francine Clark Art Institute/Prestel, 2011), pp. 34–35, fig. 16; 190; 192–93, fig. 147; 268–69, fig. 230.
• “Cat. 15: Woman Mending, 1895,” in Pissarro Paintings and Works on Paper at the Art Institute of Chicago, eds. Gloria Groom and Genevieve Westerby (Art Institute of Chicago, 2015), https://publications.artic.edu/pissarro/reader/paintingsandpaper/section/8.
• Christophe Duvivier and Josef Helfenstein, eds., Camille Pissarro: The Studio of Modernism, exh. cat. (Munich Prestel Verlag, 2021), 274 cat. 121, 322.

• Copenhagen, Valdemar Kleis, Katalog over Martsudstillingen (1886–1911), Mar. 1911, cat. 34.
• London, Stafford Gallery, Pictures by Camille Pissarro, from Oct. 13, 1911, cat. 11.
• Zurich, Switzerland, Moderne Galerie, Camille Pissarro, July 11–Aug. 31, 1913, cat. 7.
• Paris, Galerie de l’Élysée, C. Pissarro: Des peintures et des pastels de 1880 à 1900 environ, Apr. 23–May 5, 1948, no cat.
• Chicago, Mr. and Mrs. Leigh Block, Oct. 19, 1976–May 20, 1977, no cat.
• Tokyo, Seibu Museum of Art, Shikago bijutsukan insho-ha ten [The impressionist tradition: Masterpieces from the Art Institute of Chicago], Oct. 18–Dec. 17, 1985, cat. 49 (ill.); Fukuoka Art Museum, Jan. 5–Feb. 2, 1986; Kyoto Municipal Museum of Art, Mar. 4–Apr. 13, 1986.
• Art Gallery of New South Wales, Camille Pissarro, Nov 19, 2005–Feb. 19, 2006, cat. 98 (ill.); Melbourne, National Gallery of Victoria, Mar. 4–May 28, 2006.
• Kunstmuseum Basel, Camile Pissarro: The Studio of Modernism, Sep. 4, 2021-Jan. 23, 2022. cat. 121.

The artist (d. 1903); by descent to his son, Ludovic-Rodolph (Rodo) Pissarro, Paris, 1904 [this and the two following per Pissarro and Snollaerts, 2005]; sold to Sam Saltz, New York, by December 1950; sold to Mrs. Mary Block (née Lasker), Chicago, December 1950; given to the Art Institute of Chicago, beginning in 1959 [in undivided fractional interests, receiving final fractional interest for one hundred percent ownership in 1961].

• Cat. 15  Woman Mending, 1895