Oil paint, with graphite (recto), and oil paint with touches of black crayon varnished overall (verso), on gray cardboard
447 × 327 mm
Mr. and Mrs. Carter H. Harrison Collection
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Maurice Joyant, Henri de Toulouse-Lautrec, 1864-1901 (Paris, 1927), p. 252.
Frederick A. Sweet, “Carter H. Harrison as a Collector,” Bulletin of The Art Institute of Chicago XXXVIII:5 (September–October 1944), p. 79.
The Art Institute of Chicago, “Exhibition of Paintings from the Collection of Carter H. Harrison,” July 18-October 14, 1929, n.p., cat. 16.
The Art Institute of Chicago, “Loan Exhibition of Paintings, Drawings, Prints, and Posters by Henri de Toulouse-Lautrec 1864-1901,” December 23, 1930-January 18, 1931, p. 13, cat. 1.
New York, Museum of Modern Art, “Tenth Loan Exhibition, Lautrec, Redon,” February 1-March 2, 1931, p. 3, cat. 1.
Pittsburgh, Pa., Carnegie Institute, “Paintings, Drawings, Prints, and Posters by Henri de Toulouse-Lautrec,” March 6-April 20, 1947, p. 12, cat. 10.
Peoria, Ill, Lakeview Center for the Arts and Sciences, “Toulouse-Lautrec,” February 21-April 7, 1968.
Albi, France, Musée Toulouse-Lautrec, “Trésors impressionnistes du Musée du Chicago,” June 27-August 31, 1980, p. 69, cat. 36 (ill.).
The Art Institute of Chicago, April 6, 1988-May 3, 1990 (Allerton Gallery Installation).
Madame Grenier, Paris. Henri Cottereau, Paris; Carter H. Harrison (1860-1953), Chicago, by 1927 [Joyant 1927]; given to the Art Institute, 1935.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.