Pen and brown ink, with brush and brown wash (recto and verso) on ivory laid paper
Inscribed verso, in pen and brown ink: "O - o - " (last symbol with opening to the left)
94 x 156 mm
The Charles Deering Collection
Extended information about this artwork
Daniel Catton Rich, “Two Drawings of the Rembrandt School,” Bulletin of the Art Institute of Chicago XXIII:5 (1929), p. 53–55, (as Samuel van Hoogstraten).
Werner Sumowski, Drawings of the Rembrandt School, ed. And trans. Walter L. Strauss (New York: Abaris Books, 1981), vol. 8, no. 2008x , p. 4480–81 (ill. p. 4481) (as Nicolaes Maes).
W. McC. McK. “Drawings from the Charles Deering Collection,” Bulletin of the Art Institute of Chicago XXII (May, 1928), p. 65 (as Samuel van Hoogstraten).
Art Institute of Chicago, A Century of Progress, Exhibition of Paintings and Sculpture, Lent from American Collections, June 1 to November 1, 1933, p. 87, cat. 809 (as Samuel van Hoogstraten).
Art Institute of Chicago, [Loan Exhibition of] Paintings, Drawings, and Etchings by Rembrandt and His Circle, Dec. 19, 1935–Jan. 19, 1936, p. 40, cat. 52 (as Samuel van Hoogstraten).
Worcester Art Museum, Rembrandt and his Circle, A Loan Exhibition of Paintings, Drawings, and Etchings, Feb. 4–Mar. 1, 1936, p. 46, no. 52 (as Samuel van Hoogstraten).
The Art Institute of Chicago, “Rubens, Rembrandt, and Drawing in the Golden Age”, September 28, 2019 - January 5, 2020, pp. 73, 75 (ill.), 303, cat. 23, cat. by Victoria Sancho Lobis, et. al.
15th Earl of Shrewsbury (1753–1827), Alton Towers, Staffordshire, England [Deering collection records]. Charles Deering (1852–1927), Chicago [stamp (Lugt 516) verso, lower right, in blue]; by descent to his daughters, Mrs. Chauncey McCormick (née Marion Deering; 1886–1965), Chicago and Mrs. Richard Ely Danielson (née Barbara Deering; 1885–1957), Chicago; given to the Art Institute of Chicago, 1927.
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