Saint Anthony of Padua (recto); Standing Monk (verso)
Italy (Artist's nationality:)
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Pen and brown ink with brush and brown wash, over black chalk (recto) and charcoal with traces of white chalk (verso) on gray laid paper, partially laid down on tan laid paper
Recto: Inscribed recto, lower left, in pen and brown ink: "Stefano dall'Arzere"; verso, lower left. in graphite: "24. Aple 1832"
40.5 × 23 cm (16 × 9 1/16 in.)
The Leonora Hall Gurley Memorial Collection
The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), p. 6, no. 5 (recto and verso ill.).
McCullagh & Giles 5
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.