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Fall of the Damned (recto); Sketches of Seated Saint John the Baptist (verso)

A work made of pen and iron gall ink with brush and blue and brown wash, possibly over traces of black chalk (recto), and pen and brown ink with brush and blue and gray ink and red chalk (verso), on tan laid paper.
CC0 Public Domain Designation

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  • A work made of pen and iron gall ink with brush and blue and brown wash, possibly over traces of black chalk (recto), and pen and brown ink with brush and blue and gray ink and red chalk (verso), on tan laid paper.

Date:

n.d.

Artist:

Circle of Ludovico Cardi, called Il Cigoli
Italian, 1559-1613

About this artwork

Status

Currently Off View

Department

Prints and Drawings

Artist

Circle of Cigoli

Title

Fall of the Damned (recto); Sketches of Seated Saint John the Baptist (verso)

Place

Italy (Artist's nationality:)

Date  Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Made 1500–1599

Medium

Pen and iron gall ink with brush and blue and brown wash, possibly over traces of black chalk (recto), and pen and brown ink with brush and blue and gray ink and red chalk (verso), on tan laid paper

Dimensions

26.3 × 19.9 cm (10 3/8 × 7 7/8 in.)

Credit Line

The Leonora Hall Gurley Memorial Collection

Reference Number

1922.5638.2

IIIF Manifest  The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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https://api.artic.edu/api/v1/artworks/112777/manifest.json

Extended information about this artwork

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

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