Three Studies for the Resurrected Christ Adored by a Female Saint and San Silvestro Gozzalini
Italy (Artist's nationality:)
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Red and black chalk, heightened with white chalk, on blue laid paper
Inscribed recto, lower left, in pen and brown ink: "V.S." (crossed out) / "F:V:"
25.5 × 17 cm (10 1/16 × 6 3/4 in.)
Bequest of Joseph Winterbotham, Jr.
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Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 245-46, no. 319 (ill.).
The Art Institute of Chicago, “Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago,” April 10-July 22, 1997.
Yale University Art Gallery, “Franceso Vanni: Art in Late Renaissance Siena”, September 27, 2013 - January 5, 2014, cat. 76 pp. 207-211; cat. by John Marciari et. al.
McCullagh & Giles 319
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