Via Crucis; Christ Falling Beneath the Cross (recto) Sketch of Male Nude (verso)
Italy (Artist's nationality:)
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Pen and brown ink over traces of black chalk, on ivory laid paper
Inscribed verso, upper left, in pen and brown ink: "B. W."
19.1 × 41 cm (7 9/16 × 16 3/16 in.)
The Leonora Hall Gurley Memorial Collection
The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Harold Joachim and Suzanne Folds McCullagh, Italian Drawings of the 15th, 16th, and 17th Centuries (Chicago and London, 1979), p. 37, no. 1F10 (as School of Luca Cambiaso).
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 62-3, no. 76 (ill.).
Benjamin West [script (Lugt 419a), verso, upper left, in pen and brown ink]. Dr. William. Ogle, London; sold, Sotheby’s, London, Feb. 6, 1913, part of lot 166 (as ‘L. Cangigio”), to William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower right]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center, in black].
McCullagh & Giles 76
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.