Charcoal and graphite with stumping on ivory wove paper, laid down on wood pulp board
400 × 210 mm
Through prior bequest of Mr. and Mrs. Martin A. Ryerson Collection
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Eastbourne, Towner Art Gallery, “Symbolists,” 1970.
New York, Spencer A. Samuels, “Symbolists,” 1970, cat. 79.
Paris, “F. Khnopff,” 1979-1980, cat. 16; also traveled to Brussels and Hamburg.
Art Institute of Chicago, “Max Klinger “A Glove”: Tradition, Fashion and Fantasy,” Dec 10, 1993–May 15, 1994, no cat.
Musée des Beaux-Arts de Montréal, Québec, Canada: “Lost Paradise: Symbolist Europe”, June 8-October 15, 1995.
Brussels, Musées Royaux des Beaux-Arts de Belgique, “Fernand Khnopff”, January 16-May 2, 2004; and The Montreal Museum of Fine Arts, Montreal, Canada, June 2-September 5, 2004, cat. 58, reprod. p. 126.
New York, The Frick Collection, “From Pontormo to Seurat: Drawings Recently Acquired by The Art Institute of Chicago,” April 23-July 7, 1991, n.p., cat. 54; traveled to The Art Institute of Chicago, September 10, 1991-January 5, 1992.
Marguerite Freson-Khnopff, Liège [Delevoy, de Croës and Ollinger-Zinque 1987]. Bernard Thibaud de Maisières, Brussels, by 1969 [Toronto 1969]. Galerie L’Ecuyer, Brussels [Delevoy, de Croës and Ollinger-Zinque 1987]. The Piccadilly Gallery, London, 1970 [Delevoy, de Croës and Ollinger-Zinque 1987]. Galerie Claude Bernard, Paris [Delevoy, de Croës and Ollinger-Zinque 1987]. Private collection, Paris, by 1980 [Hamburg 1980]. Sold by Dorset Enterprises Ltd., London, to the Art Institute, 1990.
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