The Veil

CC0 Public Domain Designation

Prints and Drawings

c. 1887

Fernand Khnopff
Belgian, 1858-1921

Status: Currently Off View
Department: Prints and Drawings

Artist: Fernand Khnopff
Title: The Veil
Origin: Belgium
Date: 1882–1892
Medium: Charcoal and graphite with stumping on ivory wove paper, laid down on wood pulp board
Dimensions: 400 × 210 mm
Credit Line: Through prior bequest of Mr. and Mrs. Martin A. Ryerson Collection
Reference Number: 1990.445
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/111745/manifest.json

Francine C. Legrand, Le Symbolisme en Belgique (Brussels, 1971), p. 56, pl. 29.
John Milner, Symbolists and Decadents (London, 1971), p. 103 (ill.).
Robert L. Delevoy, Journal du Symbolisme (Geneva, 1977), p. 86 (ill.).
Robert L. Delevoy, Catherine de Croës, Gisele Ollinger-Zinque, Fernand Khnopff (Brussels, 1987), p. 239, no. 105 (ill.).

Turin, Italy, Galleria Civica d’Arte Moderna, “Il Sacro e il Profano,” 1969, cat. 242; also traveled to The Art Gallery of Ontario, Toronto, November1-November 26, 1969, cat. 219.
London, Piccadilly Gallery, “Symbolists 1860-1925,” June 2-July 4, 1970, cat. 38.
Eastbourne, Towner Art Gallery, “Symbolists,” 1970.
New York, Spencer A. Samuels, “Symbolists,” 1970, cat. 79.
Paris, “F. Khnopff,” 1979-1980, cat. 16; also traveled to Brussels and Hamburg.
Art Institute of Chicago, “Max Klinger “A Glove”: Tradition, Fashion and Fantasy,” Dec 10, 1993–May 15, 1994, no cat.
Musée des Beaux-Arts de Montréal, Québec, Canada: “Lost Paradise: Symbolist Europe”, June 8-October 15, 1995.
Brussels, Musées Royaux des Beaux-Arts de Belgique, “Fernand Khnopff”, January 16-May 2, 2004; and The Montreal Museum of Fine Arts, Montreal, Canada, June 2-September 5, 2004, cat. 58, reprod. p. 126.
New York, The Frick Collection, “From Pontormo to Seurat: Drawings Recently Acquired by The Art Institute of Chicago,” April 23-July 7, 1991, n.p., cat. 54; traveled to The Art Institute of Chicago, September 10, 1991-January 5, 1992.

Marguerite Freson-Khnopff, Liège [Delevoy, de Croës and Ollinger-Zinque 1987]. Bernard Thibaud de Maisières, Brussels, by 1969 [Toronto 1969]. Galerie L’Ecuyer, Brussels [Delevoy, de Croës and Ollinger-Zinque 1987]. The Piccadilly Gallery, London, 1970 [Delevoy, de Croës and Ollinger-Zinque 1987]. Galerie Claude Bernard, Paris [Delevoy, de Croës and Ollinger-Zinque 1987]. Private collection, Paris, by 1980 [Hamburg 1980]. Sold by Dorset Enterprises Ltd., London, to the Art Institute, 1990.

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

Currently Off View

Status

Department

Artist

Title

Origin

Date

Medium

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.

Explore Further

Suggested Terms

See all hours

Currently Off View

Date:

Artist:

About this artwork

Status

Department

Artist

Title

Origin

Date

Medium

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

Extended information about this artwork

Publication History

Exhibition History

Provenance

Share

Explore Further

Related artworks

Sign up for our enewsletter to receive updates.

Gallery actions

Image actions

Share

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.