Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Charcoal and graphite with stumping on ivory wove paper, laid down on wood pulp board
40 × 21 cm (15 3/4 × 8 5/16 in.)
Through prior bequest of Mr. and Mrs. Martin A. Ryerson Collection
The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Eastbourne, Towner Art Gallery, “Symbolists,” 1970.
New York, Spencer A. Samuels, “Symbolists,” 1970, cat. 79.
Paris, “F. Khnopff,” 1979-1980, cat. 16; also traveled to Brussels and Hamburg.
Art Institute of Chicago, “Max Klinger “A Glove”: Tradition, Fashion and Fantasy,” Dec 10, 1993–May 15, 1994, no cat.
Musée des Beaux-Arts de Montréal, Québec, Canada: “Lost Paradise: Symbolist Europe”, June 8-October 15, 1995.
Brussels, Musées Royaux des Beaux-Arts de Belgique, “Fernand Khnopff”, January 16-May 2, 2004; and The Montreal Museum of Fine Arts, Montreal, Canada, June 2-September 5, 2004, cat. 58, reprod. p. 126.
New York, The Frick Collection, “From Pontormo to Seurat: Drawings Recently Acquired by The Art Institute of Chicago,” April 23-July 7, 1991, n.p., cat. 54; traveled to The Art Institute of Chicago, September 10, 1991-January 5, 1992.
Marguerite Freson-Khnopff, Liège [Delevoy, de Croës and Ollinger-Zinque 1987]. Bernard Thibaud de Maisières, Brussels, by 1969 [Toronto 1969]. Galerie L’Ecuyer, Brussels [Delevoy, de Croës and Ollinger-Zinque 1987]. The Piccadilly Gallery, London, 1970 [Delevoy, de Croës and Ollinger-Zinque 1987]. Galerie Claude Bernard, Paris [Delevoy, de Croës and Ollinger-Zinque 1987]. Private collection, Paris, by 1980 [Hamburg 1980]. Sold by Dorset Enterprises Ltd., London, to the Art Institute, 1990.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.