Landscape with Sheep, Picardy

CC0 Public Domain Designation

Painting and Sculpture of Europe

Late 19th century

Harry Thompson (British, died 1901)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Harry Thompson
Title: Landscape with Sheep, Picardy
Place: England (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1850–1900
Medium: Oil on canvas
Dimensions: 82.2 × 117.5 cm (32 3/8 × 46 1/4 in.); Framed: 125.1 × 157.5 × 8.9 cm (49 1/4 × 62 × 3 1/2 in.)
Credit Line: Gift of Mrs. James H. Dole
Reference Number: 1904.15
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/111669/manifest.json

Art Institute of Chicago, Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1894), p. 68, no. 235.
Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1895), p. 96, no. 235.
Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1896), p. 106, no. 235 (ill.).
Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1898), p. 128, no. 235.
Charles Francis Browne, “The Permanent Collections in the Museum of the Art Institute of Chicago. VII- American Paintings,” Brush and Pencil 2, 6 (1898), pp. 257 (ill.), 258.
Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 202, no. 358.
Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1904), p. 204, no. 358.
Art Institute of Chicago, Twenty-Fifth Annual Report of the Trustees (Chicago: Art Institute of Chicago, 1904), p. 18.
“Art Galleries and Societies,” in American Art Annual vol. 5 (New York: American Art Annual, 1905), p. 166.
Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 217, no. 358.
Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 194, no. 358.
Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 137, no. 358.
Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 143, no. 369.
Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture and Architecture (Chicago: Art Institute of Chicago, 1917), p. 140, no. 328.
Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago: Art Institute of Chicago, 1920), p. 35, no. 328.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 154, no. 328.

Hamline, Minnesota, Minnesota State fair, 15th Annual Exhibition of Fine Arts, September 5–12, 1925, cat. 15.

James H. Dole (died 1902), Chicago, by 1894 [see Art Institute of Chicago 1894]; intermittently on loan to the Art Institute from 1894; his widow, Sarah Dole, Chicago; given to the Art Institute, 1904.

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

Currently Off View

Status

Department

Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.

Explore Further

Suggested Terms

Currently Off View

Date:

Artist:

About this artwork

Status

Department

Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

Extended information about this artwork

Publication History

Exhibition History

Provenance

Share

Explore Further

Sign up for our enewsletter to receive updates.

Gallery actions

Image actions

Share

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.