Spain

Public Domain

Painting and Sculpture of Europe

1878

Francisco Domingo y Marqués
Spanish, 1842-1920

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Francisco Domingo y Marqués
Title: Spain
Place: Spain (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1878
Medium: Oil on wood
Inscriptions: Inscribed lower right: F. Domingo 1878
Dimensions: 21.9 × 27.9 cm (8 5/8 × 10 5/8 in.)
Credit Line: Henry Field Memorial Collection
Reference Number: 1894.1053
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/111624/manifest.json

“Drift of the Dog Days,” The Collector 4, 16 (1893), p. 247.
“Art Institute of Chicago: II – Modern Paintings: The Henry Field Collection,” Art Amateur 21, 1 (1894), p. 19.
“The Henry Field Memorial Collection,” Art Amateur 31, 6 (1894), p. 115.
William M. R. French, “The Permanent Collections in the Museum of the Art Institute of Chicago,” Brush and Pencil 1, 4 (1898), ill.
Charles Francis Browne, “The Permanent Collections in the Museum of the Art Institute: IV – The Henry Field Memorial Collection,” Brush and Pencil 2, 1 (1898), p. 7, no. 21.
“Chicago, ILL.: The Art Institute of Chicago,” in American Art Annual 1898 (London: Macmillan & Co., 1899), p. 140, no. 21.
Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 160, no. 121.
Frederick Clifton Pierce, Field Genealogy, vol. 2 (Chicago: Hammond Press, 1901), p. 712, no. 21.
Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1904), p. 165, no. 121.
Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 177, no. 121.
Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 169, no. 121.
Art Institute of Chicago, General Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 114, no. 121.
Art Institute of Chicago, General Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 118, no. 121.
Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture, and Architecture (Chicago: Art Institute of Chicago, 1917), p. 118, no. 121.
Art Institute of Chicago, Handbook of Sculpture, Architecture, Painting, and Drawings (Chicago: Art Institute of Chicago, 1920), p. 23, no. 121.
Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 23, no. 121.
Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago), p. 23, no. 121.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 134, no. 121.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 151.
Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 128.
Mark-Allan Roglán Kelley, “La pintura española del siglo XIX en las colecciones públicas norteamericanas: Una primera aproximación,” vol. 2 (Ph.D. diss., Universidad Autónoma de Madrid, 2001), no. 58.

Henry Field (died 1890), Chicago; his widow, Mrs. Florence Lathrop Field; given to the Art Institute, 1894.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.