Spain

CC0 Public Domain Designation

Painting and Sculpture of Europe

1878

Francisco Domingo y Marqués (Spanish, 1842–1920)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Francisco Domingo y Marqués
Title: Spain
Place: Spain (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1878
Medium: Oil on panel
Inscriptions: Inscribed lower right: F. Domingo 1878
Dimensions: 21.9 × 27.9 cm (8 5/8 × 10 5/8 in.); Framed: 50.5 × 56.6 × 8.6 cm (19 7/8 × 22 1/4 × 3 3/8 in.)
Credit Line: Henry Field Memorial Collection
Reference Number: 1894.1053
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/111624/manifest.json

“Drift of the Dog Days,” The Collector 4, 16 (1893), p. 247.
“Art Institute of Chicago: II – Modern Paintings: The Henry Field Collection,” Art Amateur 21, 1 (1894), p. 19.
“The Henry Field Memorial Collection,” Art Amateur 31, 6 (1894), p. 115.
William M. R. French, “The Permanent Collections in the Museum of the Art Institute of Chicago,” Brush and Pencil 1, 4 (1898), ill.
Charles Francis Browne, “The Permanent Collections in the Museum of the Art Institute: IV – The Henry Field Memorial Collection,” Brush and Pencil 2, 1 (1898), p. 7, no. 21.
“Chicago, ILL.: The Art Institute of Chicago,” in American Art Annual 1898 (London: Macmillan & Co., 1899), p. 140, no. 21.
Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 160, no. 121.
Frederick Clifton Pierce, Field Genealogy, vol. 2 (Chicago: Hammond Press, 1901), p. 712, no. 21.
Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1904), p. 165, no. 121.
Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 177, no. 121.
Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 169, no. 121.
Art Institute of Chicago, General Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 114, no. 121.
Art Institute of Chicago, General Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 118, no. 121.
Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture, and Architecture (Chicago: Art Institute of Chicago, 1917), p. 118, no. 121.
Art Institute of Chicago, Handbook of Sculpture, Architecture, Painting, and Drawings (Chicago: Art Institute of Chicago, 1920), p. 23, no. 121.
Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 23, no. 121.
Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago), p. 23, no. 121.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 134, no. 121.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 151.
Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 128.
Mark-Allan Roglán Kelley, “La pintura española del siglo XIX en las colecciones públicas norteamericanas: Una primera aproximación,” vol. 2 (Ph.D. diss., Universidad Autónoma de Madrid, 2001), no. 58.

Henry Field (died 1890), Chicago; his widow, Mrs. Florence Lathrop Field; given to the Art Institute, 1894.

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

Currently Off View

Status

Department

Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Inscriptions

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.

Explore Further

Suggested Terms

Currently Off View

Date:

Artist:

About this artwork

Status

Department

Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Inscriptions

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

Extended information about this artwork

Publication History

Provenance

Share

Explore Further

Sign up for our enewsletter to receive updates.

Gallery actions

Image actions

Share

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.