Date
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
John Rewald, Degas: Works in Sculpture, A Complete Catalogue (New York, 1944), pp. 27, 123, no. 48.
New York, M. Knoedler & Company, Inc., Edgar Degas, 1834–1917: Original Wax Sculptures (1955), no. 54, fig. 54.
John Rewald, Degas Sculpture: The Complete Works (New York, 1957), no. 48, pl. 73.
Charles W. Millard, The Sculpture of Edgar Degas (Princeton, 1976), pp. 35 n. 49, 69, fig. 104.
Anne Pingeot, Degas: Sculptures (Paris, 1991), pp. 158–59, no. 13.
Sara Campbell, “A Catalogue of Degas’ Bronzes,” Apollo 142, 402 (August 1995), p. 45, no. 70.
Joseph S. Czestochowski and Anne Pingeot, Degas Sculptures: Catalogue Raisonné of the Bronzes (Memphis, 2002), pp. 258–59, no. 70.
Art Institute of Chicago, “Degas in the Art Institute of Chicago,” 19 July – 23 September 1984, no. 87.
Cast prior to 1959. Robert Edelmann, Chicago, by 1959; given to the Art Institute of Chicago, 1959.
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