Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 151.
Art Institute of Chicago, Report for the Year 1935 (Chicago: Art Institute of Chicago, 1935), p. 69.
Daniel Catton Rich, Catalogue of the Charles H. and Mary F. S. Worcester Collection of Paintings, Sculpture and Drawings (Chicago: Art Institute of Chicago, 1938), p. 69, no. 63.
Donald A. Rosenthal, “Jules-Robert Auguste and the Early Romantic Circle” (Ph.D. diss., Columbia University, 1978), pp. 255–56, no. I-33, fig. 130.
Donald A. Rosenthal, “Development of Romantic Orientalism During the Bourbon Restoration (1814–1830),” in Donald A. Rosenthal, Orientalism: The Near East in French Painting, 1800–1880, exh. cat. (Rochester, New York: Memorial Art Gallery of the University of Rochester, 1982), p. 28, fig. 17.
Chapel Hill, North Carolina, The William Hayes Ackland Memorial Art Center, French Nineteenth Century Oil Sketches: David to Degas, March 5–April 16, 1978, cat. 1.
Metropolitan Galleries, New York, by 1931 [this and the following according to Registrars records and Rich 1938]; sold to Charles H. Worcester and Mary F. S. Worcester, Chicago, 1931, as by Eugène Delacroix; given to the Art Institute, 1931.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.