Date
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
M.-A. Couturier, Fernand Léger: La Forme Humaine dans l’Espace (Montreal, 1945), fig. 37.
The Art Institute of Chicago Bulletin XL:3 (March 1946), p. 29 (ill.).
Joseph Meder, The Mastery of Drawing, translated by Winslow Ames (New York, 1978), 1:444, 2:279, fig. 285.
The Art Institute of Chicago, “Drawings Old and New,” 1946, p. 19, cat. 32, pl. XXXII.
The Vancouver Art Gallery, “The Nude in Art,” November 3–29, 1964, n.p., cat. 95.
Chicago, Arts Club, “Drawings 1916/1966,” February 28–April 11, 1966, n.p., cat. 59 (ill.).
The Art Institute of Chicago, “A Quarter Century of Collecting: Drawings Given to The Art Institute of Chicago, 1944-1970 by Margaret Day Blake,” April 28-June 7, 1970, n.p., cat. 47 (ill.).
Urbana-Champaign, Ill., Krannert Art Museum, University of Illinois at Urbana-Champaign, “Drawings from The Collections of The Art Institute of Chicago,” April 23–May 14, 1972.
Sold by the artist to the Art Institute, 1945.
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