Portrait of a Woman

CC0 Public Domain Designation

Painting and Sculpture of Europe

c. 1655

Dutch

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Dutch School
Title: Portrait of a Woman
Place: Netherlands (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1650–1660
Medium: Oil on canvas
Dimensions: 76.9 × 64.2 cm (30 1/2 × 25 1/4 in.)
Credit Line: Max and Leola Epstein Collection
Reference Number: 1954.284
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/110559/manifest.json

Burlington Magazine 42, no. 238 (January, 1923), p. vii .
Old Masters in the Collection of Max Epstein (Chicago, 1928), n. p., ill.
Paintings in the Art Institute of Chicago, A Catalogue of the Picture Collection (Chicago, 1961), p. 112.
Saskia Nystad, “Een relatie tussen Jan van de Capelle, Gerbrand van den Eeckhout en Jan van Noordt?” Tableau 3 (1981), p. 712 n. 1.
Werner Sumowski, Gemälde der Rembrandt-Schüler, vol. 1 (Landau/Pfalz, 1983), pp. 140, 143 n. 80, 185, ill.
J. Bruyn, review of Sumowski, Gemälde der Rembrandt-Schüler, vol. 1 in Oud Holland 98 (1984), p. 150.
David A. de Witt, Jan van Noordt: Painter of History and Portraits in Amsterdam (Montreal and Kingston, London and Ithaca, 2007), p. 259, R 50, ill.

University of Chicago, Renaissance Society Galleries, Max Epstein Memorial Exhibition, May 3 – May 14, 1955, no. 4.

Sir Wroth Lethbridge, Sandhill Park, Bishop’s Lydeard, near Taunton, Somerset [according to a hand-written label formerly on the back of the canvas, preserved in the conservation file; both the 4th baronet (died 1902) and the 5th baronet were named Sir Wroth]. Ehrich Galleries, New York, by January 1923 [see Burlington Magazine 1923]; sold to Max Epstein, Chicago, by June, 1923 when it was lent to the Art Institute [receipt R1091 in Registrar’s office], died 1954; bequeathed to the Art Institute, 1954.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.