Auti te pape (Women at the River), from the Noa Noa Suite

CC0 Public Domain Designation

Prints and Drawings

1893/94

Paul Gauguin
French, 1848-1903

Status: Currently Off View
Department: Prints and Drawings

Artist: Paul Gauguin
Title: Auti te pape (Women at the River), from the Noa Noa Suite
Origin: France
Date: 1893–1894
Medium: Wood-block print, printed in reddish-brown and black ink on ivory wove paper (previously mounted on mottled blue wove paper laid down on cream wove card [a presentation mount])
Inscriptions: Monogrammed lower left, in image: "P G O"
Dimensions: 204 × 348 mm (image); 207 × 348 mm (sheet)
Credit Line: Gift of Frank B. Hubachek
Reference Number: 1954.1191
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/109985/manifest.json

Robert Goldwater and Carl O. Schniewind, Gauguin: Loan Exhibition for the Benefit of the Citizens’ Committee for Children of New York City, Inc., exh. cat. (Wildenstein & Co., 1956), p. 23, cat. 88.
Art Institute of Chicago and Metropolitan Museum of Art, New York, Gauguin: Paintings, Drawings, Prints, Sculpture, exh. cat. (Art Institute of Chicago, 1959), p. 85, cat. 160.
Richard R. Brettell, Françoise Cachin, Claire Frèches-Thory, and Charles F. Stuckey, The Art of Paul Gauguin, with assistance from Peter Zegers, exh. cat. (National Gallery of Art, Washington, D.C./Art Institute of Chicago/New York Graphic Society Books, 1988), p. 327, cat. 167a.
Elizabeth Mongan, Eberhard W. Kornfeld, and Harold Joachim, Paul Gauguin: Catalogue Raisonné of His Prints, with assistance of Christine E. Stauffer (Galerie Kornfeld, 1988), p. 70, cat. 16.
Peter Kort Zegers, “In the Kitchen with Paul Gauguin: Devising Recipes for a Symbolist Graphic Aesthetic,” in The Broad Spectrum: Studies in the Materials, Techniques, and Conservation of Color on Paper, ed. Harriet K. Stratis and Britt Salvesen (Archetype, 2002), pp. 140–41, fig. 3.6
Art Institute of Chicago, Intimate Encounters: Paul Gauguin and the South Pacific; The Edward McCormick Blair Collection, exhibition brochure (Art Institute of Chicago, 2003), hors. cat.

New York, Wildenstein, “Gauguin,” April 5-May 5, 1956, p. 23, cat. 88.
The Art Institute of Chicago, “Gauguin: Paintings, Drawings, Prints, Sculpture,” February 12-March 29, 1959, p. 85, cat. 160; traveled to the Metropolitan Museum of Art, New York, April 21-May 31, 1959.
Washington, D.C., National Gallery of Art, “The Art of Paul Gauguin,” 1988, p. 327, cat. 167a; shown only at the Galeries Nationales du Grand Palais, Paris, January 10-April 20, 1989.
The Art Institute of Chicago, “Intimate Encounters: Paul Gaugiun and the South Pacific, The Edward McCormick Blair Collection,” September 6, 2003-January 11, 2004.
The Art Institute of Chicago, “Gauguin: Artist as Alchemist”, June 25 - September 10, 2017, pp. 16, 31, 35, 188, 196, 208, 211, cat. 141, cat. by Gloria Groom, et. al.

Sold by Gerald Cramer, Geneva, to the Art Institute, 1954.

Guérin 35 before I/II

Kornfeld 16 I/II

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Auti te pape (Women at the River), from the Noa Noa Suite

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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