Ange Laurent de Lalive de Jully

Painting and Sculpture of Europe

1759/70

After Jean Baptiste Greuze (French, 1725–1805)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Style of Jean Baptiste Greuze
Title: Ange Laurent de Lalive de Jully
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1759–1770
Medium: Oil on canvas
Dimensions: Oval: 64.3 × 53 cm (25 5/16 × 20 7/8 in.)
Credit Line: Given in memory of Forsyth Wickes by Mrs. Forsyth Wickes and Mrs. Ralph Poole
Reference Number: 1969.109
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/109885/manifest.json

Art Institute of Chicago, Annual Report 1968–1969 (Chicago, 1969), pp. 6–7, 16, ill.
“Art Institute of Chicago Gets French Collector’s Portrait,” New York Times (May 25, 1970).
Ruth Davidson, “Museum Accessions,” Antiques 98 (1970), p. 704, ill.
“La Chronique des arts,” Gazette des Beaux-Arts 6th ser., 75, suppl to no. 1213 (1970), p. 71, no. 328, ill.
“Recent Accessions,” Apollo 91, 99 (1970), p. 400, ill.
“Recent Accessions of American and Canadian Museums, January–March 1970,” Art Quarterly 33 (1970), pp. 322, 329, ill.
Colin Eisler, Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian (Oxford, 1977), pp. 325–26, under no. K1326.
Susan Wise in Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago (Chicago, 1996), pp. 76–79, ill.
Philip Conisbee, in Philip Conisbee, French Paintings of the Fifteenth Through the Eighteenth Century (Washington D.C., 2009), pp. 251, 252 n. 25.

Art Institute of Chicago, Selected Works of Eighteenth-Century French Art in the Collections of The Art Institute of Chicago, January 24–March 28, 1976, no. 13.

E. Sichel, Paris, 1898 [according to the 1941 Parke-Bernet sale catalogue and a letter from Julius Weitzner to John Maxon dated March 31, 1969, Archives, Art Institute]. Mrs. Henry Walters, Baltimore, 1941; sold Parke-Bernet, New York, April 30–May 3, 1941, vol. 2, no. 977, to A. Cohen, as Greuze [according to verbal communication between Susan Wise and Sotheby’s New York on October 25, 1982, notes in curatorial file]. Sold Christie’s, London, March 8, 1968, no. 112, as by Greuze, to Perman, for 240 gns., perhaps acting as agent for Weitzner [price and buyer according to an annotated copy of the sale catalogue in the Ryerson Library, Art Institute]. Julius Weitzner, London, by 1969; sold to the Art Institute, 1969.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.