Pen and brown ink on blue laid paper, laid down on ivory laid paper
Inscribed verso, upper left on mount, in pen and brown ink: "Correggio"
140 × 100 mm
The Leonora Hall Gurley Memorial Collection
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Thomas Worthen, “A Drawing of the Dead Christ by Lelio Orsi,” The Register of the Museum of Art, The University of Kansas, Lawrence 5 (1977), pp. 4-13.
Joseph Hoffman, “Lelio Orsi si è dato ai Tedeschi,” Acta Historiae Atrium Acamiae Scientiarium Hungaricae 31 (1985), pp. 31-41.
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 149-50, no. 192 (ill.).
Sold, Puttick & Simpson, London, Aug. 6-7, 1914, part of lot 434, as “Figure subjects by Correggio,” to William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower right, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center on mount, in black].
McCullagh & Giles 192
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.