Pen and brown ink, heightened with lead white (partly oxidized), on cream laid paper prepared with salmon wash, laid down on ivory laid card
Inscribed recto, lower center on mount, in pen and brown ink (in J. Richardson, Sr.'s hand): "Parmiggiano"; inscribed verso, upper center on mount, in pen and brown ink (in J. Richardson, Sr.'s hand): "E"
175 × 143 mm
The Leonora Hall Gurley Memorial Collection
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Jacob Bean, “Reviews. Drawings from Stockholm: A Loan Exhibition from the Nationalmuseum,” Master Drawings 7 (1969), pp. 169-70.
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 176-77, no. 229 (ill.).
J. Richardson, Sr. [stamp (Lugt 2184) recto, lower right, in black, and script (Lugt 2984) verso, upper center on mount, in pen and brown ink]. N. Hone [stamp (Lugt 2793) recto, lower right, in black]. William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower right and verso, center on mount, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center on mount, in black].
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