Glass paperweights became popular in the mid-19th century when the establishment of a dependable mail service led to an increase in letter writing and a demand for writing products. Lily of the Valley is one of over 1,400 paperweights in the Art Institute’s famous Arthur Rubloff Collection, which documents all periods, designs, and techniques. In this delightful example, glass flowers have been centered under the magnifying dome of lead glass not only to reveal the technical skill with which they were made but also to achieve an illusion of depth.
Date
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Jokelson, Paul, One Hundred of the Most Important Paperweights, pl. 28, pp. 70-71.
Selman, L.H., Paperweight Collectors’ Association Bulletin, 1980, fig. 1, p. 13, attributed to Pantin.
See illusration (color plate) on cover and on page preceding lot No. 124 in the Sotheby Parke Bernet, Inc., New York, auction catalogue of May 18, 1982, No. 148.
The Art Institute of Chicago Annual Report 1982-83, page 36, figure 44 reproduced.
A record of Sharing with Chicago’s Masterpiece, July 1, 1982-June 30, 1983 (a supplement to the 1982-83 Annual Report), page 29 reproduced in color.
Casper, Geraldine J., Glass Paperweights in the Art Institute of Chicago, 1991, cat. 108, color ill. 58.
To be published in “Chicago Magazine” in early 2019 (Vera Mandilovitch, 12.18.18)
Unknown 1234A
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