Purchased with funds provided by Helen Harvey Mills in honor of Brett Mills
Copyright Condé Nast Publications, Inc.
Extended information about this artwork
Penn, Irving. 1960. “Moments Preserved.” Simon and Schuster. p. 138. (other print of this image)
Galleria Civica d’Arte Moderna, Turin. 1975. “I platini di Irving Penn: 25 anni di fotografia.” Exh. cat. Galleria Civica d’Arte Moderna/Ages Arti Grafiche. p. 18. (other print of this image/variant in platinum)
Marlborough Gallery, New York. 1977. “Irving Penn: Photographs in Platinum Metals, Images 1947–1975.” Exh. cat. Marlborough Gallery. n.pag., cat. 84. (other print of this image)
Foresta, Merry A. and William F. Stapp. 1990. “Irving Penn: Master Images.” Exh. cat. National Museum of American Art and National Portrait Gallery/Smithsonian Institution Press. p. 116, cat. 80. (other print of this image/variant in platinum)
Penn, Irving. 1991. “Passage: A Work Record.” Knopf. p. 55. (other print of this image)
Lundström, Jan-Erik. 1995. “Irving Penn fotografier: en donation till mine av Lisa Fonssagrives-Penn/Irving Penn Photographs: A Donation in Memory of Lisa Fonssagrives-Penn.” Exh. cat. Moderna Museet/Raster Förlag. p. 151. (other print of this image)
Wolf, Sylvia. 1996. “The Subject is Music: Photographs from the Permanent Collection.” Exh. cat. (pamphlet) Art Institute of Chicago. Overleaf.
Westerbeck, Colin. 1997. “Irving Penn: A Career in Photography.” Exh. cat. Art Institute of Chicago/Bulfinch Press. p. 177, cat. 31.
Keaney, Magdalene. 2010. “Irving Penn Portraits.” Exh. cat. National Portrait Gallery, London. p. 35, pl. 10. (other print of this image)
Nuñez, Gabriele Betancourt and Ulrike Schneider. 2011. “Portraits in Series: A Century of Photographs.” Exh. cat. Museum für Kunst und Gewerbe. p. 180. (other print of this image)
Art Institute of Chicago, “The Subject is Music: Photographs from the Permanent Collection,” September 28–December 1, 1996. (Sylvia Wolf)
Art Institute of Chicago, “Irving Penn, A Career in Photography,” November 22, 1997–February 1, 1998; traveled to St. Petersburg, Russia, State Hermitage Museum, March 1–May 16, 1998; Hamburg, Germany, Deichtorhallen, June 18–September 6, 1998; Munich, Germany, Müchner Stadtmuseum, October 6, 1998–February 21, 1999; San Francisco, California, Friends of Photography/Ansel Adams Center for Photography, November 11, 1999–January 23, 2000; Museum of Fine Arts, Houston, March 25–June 4, 2000; Paris, France, Maison Européenne de la Photographie, September 13–November 5, 2000. (Colin Westerbeck)
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