Portrait of a Man

CC0 Public Domain Designation

Painting and Sculpture of Europe

1565/70

Attributed to Antonis Mor (Netherlandish, 1516/21–1575/77)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: School of Anthonis Mor
Title: Portrait of a Man
Place: Netherlands (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1501–1600
Medium: Oil on panel
Dimensions: 115.6 × 85.2 cm (45 1/2 × 33 9/16 in.)
Credit Line: Robert A. Waller Memorial Fund
Reference Number: 1931.937
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/10281/manifest.json

Max J. Friedländer, in Ausstellung von Kunstwerken des Mittelalters und Renaissance aus Berliner Privatbesitz, ed. Wilhelm Bode, Berlin, 1899, p. 26.
Henri Hymans, Antonio Moro: Son Oeuvre et son temps, Brussels, 1910, p. 164.
Art Institute of Chicago Annual Report, 1930, p. 18 (ill.).
D[aniel] C[atton] Rich, “A Portrait by Antonio Moro,” Bulletin of the Art Institute of Chicago 26 (1932), pp. 14–15 (cover ill.).
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, pp. 14 (ill.), 164.
“A Moro Noble Comes to Abide in Chicago,” Art Digest 6, 12 (1932), p. 10 (ill.).
The Art Institute of Chicago, A Brief Illustrated Guide to the Collections, 1935, p. 23.
Max J. Friedländer, Die altniederländische Malerei, vol. 13, Leiden, 1936, p. 174, no. 389, pl. 73; rev. English ed., Early Netherlandish Painting, Brussels and Leiden, 1975, p. 104, no. 389, pl. 189.
Simone Bergmans, “Le Triptyque de Viglius d’Aytta de François Pourbus,” Revue belge 9 (1939), p. 219.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 338–39.
Paul Philippot, “Le Portrait à Anvers dans la seconde moitié du XVI siècle,” Bulletin des Musées Royaux des Beaux-Arts de Belgique 14 (1965),
p. 191.
Simone Bergmans, “Deux Oeuvres retrouvées de François Pourbus l’Ancien,” Revue belge d’archéologie et d’histoire de l’art 36 (1967), p. 11.
Joanna Woodall, “The Portraiture of Antonis Mor,” Ph.D. diss., University of London, 1990, p. 589.
Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 264-67, ill.

Berlin, Kunstgeschichtlicher Gesellschaft, Kunstwerken des Mittelalters
und der Renaissance aus Berliner Privatbesitz, 1898.
Düsseldorf, Kunsthistorische Ausstellung, 1904, no. 208.
Art Institute of Chicago, A Century of Progress, 1933, no. 53.
Art Institute of Chicago, A Century of Progress, 1934, no. 127.
Kansas City, Mo., William Rockhill Nelson Gallery of Art, Atkins Museum of Fine Arts, Seventh Anniversary Exhibition of German, Flemish, and Dutch Painting, 1940–41, no. 43.

Karl von der Heydt, Berlin, by 1898 and probably until 1919 [lent by him to the Berlin 1898 and Düsseldorf 1904; photograph annotated by Max J. Friedländer, R.K.D., The Hague, suggests that von der Heydt sold the picture in 1919]. Duveen, 1920.3 Kleinberger, Paris and New York, by 1927 [Friedländer 1936]; sold to the Art Institute, 1931.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.