Saint Monica from an Augustinian altarpiece

• American Art Sales, 6, 6 (Washington, D.C., 1926), p. 18, no. 59.
• Bernard Berenson, Italian Pictures of the Renaissance (Oxford, 1932), pp. 29, 637.
• L. Serra, “Antonio da Fabriano,” Bollettino d’Arte 26, 1 (1933), pp. 374, 377, ill.
• Raimond van Marle, The Development of the Italian Schools of Painting, vol. 15 (The Hague, 1934), p. 605.
• George Kaftal, Saints in Italian Art: Iconography of the Saints in Central and South Italian Schools of Painting (Florence, 1965), no. 265a, fig. 929.
• Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 246, 307, 434, 572.
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• Sotheby’s, New York, Important Old Master Paintings, sale cat. (Sotheby’s, January 17, 1985), under lot 32.
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• Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 274–278, ill.
• Carl Brandon Strehlke, review of Christopher Lloyd, “Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection,” Burlington Magazine 136 (1994), p. 626.
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• Mauro Minardi, “Sulle tracce di Ansuino da Forlì,” Arte Cristiana 86, 785 (1998), pp. 97–98, 100–01, 108 n. 33, 109 n. 38–39, 110 n. 44, 54, fig. 2.
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Robert Jenkins Nevin (died 1906), Rome, by 1906; his estate sale, Galleria Sangiorgi, Rome, April 22, 1907, no. 41, as school of Vivarini, with 1984.24b–g to Frascione, Florence [according to a letter from F. Mason Perkins to Bernard Berenson dated November 15, 1907, Biblioteca Berenson, Villa I Tatti, Fiesole, copy in curatorial file]; probably sold to Achille Chiesa (died 1921), Milan; his son Achillito Chiesa, Milan, by 1926; his sale, American Art Association, New York, pt. 2, April 16, 1926, no. 59, as Workshop of the Vivarini, for $6,300 to Clapp & Graham, with 1984.24b–g [price and buyer according to American Art Sales 1925]; Kaftal 1965 states that it was on the Milan market in 1930, but an annotated photograph in the Fototeca I Tatti, under Antonio da Fabriano states the polyptych was with the Florentine dealer Luigi Albrighi in 1930 [see Kaftal 1965 and the annotated photograph, Villa I Tatti, Fiesole, copy in curatorial file]; possibly Dan Fellows Platt, Englewood, New Jersey, by 1932, as Antonio da Fabriano [according to Berenson 1932, but the annotated photograph at I Tatti cited above lists Platt but adds in parenthesis “Perkins says no”]. George F. Harding, Jr. (died 1939), Chicago; bequeathed to The George F. Harding Museum, Chicago; offered for sale along with 1984.24b–g, Sotheby’s, New York, December 2, 1976, no. 180, withdrawn; transferred to the Art Institute, 1984.