Attributed to the Varrese Painter Greek; Apulia, Italy
About this artwork
The towering form and ornate handles of this vase are unique to workshops in Southern Italy. The abundance of delicate white and yellow accents, which were added after the firing of the main scenes, is also characteristic of this region. Vessels like this were designed to hold water for ritual bathing before marriage, but they could also be placed at the tombs of young women who did not live to a marriageable age.
This example likely served such a purpose, as it depicts a woman within a naiskos, a temple-like structure that would mark the gravesite of a wealthy family. On its body, the bride (the central figure seated on a folding stool) is surrounded by female friends and family members. The objects they hold, such as hand mirrors, jewelry, and perfume flasks, represent the ritual of beautifying and preparing the bride for her wedding day—a practice still carried out today.
Date
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A.D. Trendall and A. Cambitoglou, First Supplement to The Red-Figured Vases of Apulia (Oxford: Clarendon Press, 1983), p. 45, 13/22a, pl. IV, 1-2.
Art Institute of Chicago, Annual Report: 1983-84 (Art Institute of Chicago, 1984), p. 47.
Art Institute of Chicago, Supplement to the Annual Report: 1983-1984 (Art Institute of Chicago, 1984), p. 9 (ill.).
School of the Art Institute of Chicago, Mosaic: March/April 1985 (Art Institute of Chicago, 1985), p. 11 (ill.).
Karen Alexander, “The New Galleries of Ancient Art at the Art Institute of Chicago,” Minerva vol. 5, no. 3 (May/June, 1994), p. 31, fig. 7.
John Griffiths Pedley, “Greek Art” in Museum Studies: Ancient Art at The Art Institute of Chicago 20, no. 1 (1994), pp. 52-53 (ill.).
Art Institute of Chicago, Greek Vases: Form and Function, March 3, 1986 - October 8, 1986.
Art Institute of Chicago, Classical Art from the Permanent Collection, Gallery 151, February 1989 - February 17, 1990.
Art Institute of Chicago, Of Gods and Glamour: The Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art, Gallery 151, November 11, 2012 - present.
Intercontinental Antiquity Corporation of California by 1983 (Trendall 1983); Lincoln W. Higgie, Chicago, IL, by 1984; sold to the Art Institute, 1984.
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