- Also known as
- Allen R. Ruppersberg, Allen Ruppersberg
- Date of birth
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Remainders: Novel, Sculpture, Film, 1991
Allen Rawson Ruppersberg
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Who’s Afraid of the New Now?, from Preview Suite, 1988
Allen Rawson Ruppersberg
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It’s Not Art, That Counts Now, from Preview Suite, 1988
Allen Rawson Ruppersberg
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Nostalgia 24 Hours a Day, from Preview Suite, 1988
Allen Rawson Ruppersberg
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Adults Only Please, from Preview Suite, 1988
Allen Rawson Ruppersberg
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Rona Barrett’s Hollywood, 1973
Allen Rawson Ruppersberg
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No, I’ve Got Something in my Eye, from Preview Suite, 1988
Allen Rawson Ruppersberg
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Good Luck!, from Preview Suite, 1988
Allen Rawson Ruppersberg
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Both are 2D, Flat and Printed, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, 2012
Allen Rawson Ruppersberg
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Title Page, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, 2012
Allen Rawson Ruppersberg
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Both Picture a Beautiful World but One Is a Photograph and the Other Is Not, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, 2012
Allen Rawson Ruppersberg
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Are You Crying?, from Preview Suite, 1988
Allen Rawson Ruppersberg
Explore Further
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Hinoki, 2007
Charles Ray
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Gasthof zur Muldentalsperre, 2000/2002
Peter Doig
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The Flooded Grave, 1998–2000
Jeff Wall
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Caribs’ Leap/Western Deep, 2002
Steve McQueen
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“Untitled”, 1989
Felix Gonzalez-Torres
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Near the Lagoon, 2002
Jasper Johns
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The Ballad of Sexual Dependency, 1979/2001
Nan Goldin
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Corallo Chair, 2006
Campana Brothers
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Landscape, 2002
Li Huayi
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Sur, Long Island City, New York, 2005
Hernán Díaz Alonso
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Dead Fish, Salton Sea, from the series “Desert Cantos III: The Flood”, 1983, printed 2006
Richard Misrach
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Oonagh MacCumhail: The Case of the Entered Novitiate, 2002
Matthew Barney
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Honey-Pop, 2001
Tokujin Yoshioka