Charles Percier (1764–1838) and Pierre François Léonard Fontaine (1762–1853) first met as architecture students in Paris. They studied the art and architecture of classical antiquity together in the French Academy in Rome during the 1780s and returned to Paris at the beginning of the Revolution.
Appointed by Napoleon architectes du gouvernement in 1801, their architecture and interior design work can be found in many of the monuments of Napoleonic Paris, including renovations to the Louvre and Tuileries Palaces, and in such grand estates as Fontainebleau, near Paris. In addition to their built work, Percier and Fontaine authored numerous books on architecture and design throughout their partnership, becoming the chief exponents of the French Empire style of decorative arts. Fontaine alone held official posts after Napoleon’s fall and after 1815 Percier withdrew from active practice, instead teaching at the Ecole des Beaux-Arts until his death. Fontaine continued to work for government agencies until his retirement in 1848.
Pierre François Louis Fontaine (1798-1863), Fontaine’s nephew, was a student of architecture under Percier at the Ecole des Beaux-Arts in Paris beginning in 1816. Fontaine won the Second Grand Prix de Rome in 1822 and traveled throughout Italy from 1823 to 1825 studying the monuments of Classical and Renaissance Italy. Upon his return to France, he made a career in the administration of the Palais Royaux, serving as architect for the palace of Saint-Cloud. Additionally, Fontaine designed private commissions, including buildings for the Ecorcheville family and for the chateaux at Hazeville and Théméricourt, and thermal bathhouses at Fontainebleau and Versailles.
The Percier and Fontaine Collection originally came to the Burnham Library with the purchase (through the sale of subscriptions) of Pierre François Léonard Fontaine’s library in April, 1927. The library was purchased from the Fontaine family, which had retained possession of the library after Pierre François Léonard Fontaine’s death; during this period Pierre François Louis Fontaine’s materials were also added to the collection. The drawings, prints, and manuscript are now held in the Ryerson and Burnham Archives, while the Ryerson and Burnham Libraries maintain the book collection.
Ryerson and Burnham Libraries
Holdings consist of architectural books owned by Pierre François Léonard Fontaine and possibly supplemented by those owned by his nephew Pierre François Louis Fontaine.
“Le Fond Fontaine a L’Art Institute a Chicago”
Van Zanten, David. In Sabine Frommel, Jean-Philippe Garric and Eisabeth Kieven, Charles Percier e Pierre Fontaine: dal soggiorno romano alla trasformazione di Parigi, pp. 167-173. Milano: SilvanaEditoriale, 
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“Fontaine in the Burnham Library”
Van Zanten, David. In Art Institute of Chicago Museum Studies, Vol. 13, No. 2, pp. 132-145, 1988.
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Ryerson and Burnham Archives
15 oversize portfolios and flatfile material.
The Percier and Fontaine Collection contains almost 130 original architectural drawings—most attributed to Fontaine’s nephew Pierre François Louis Fontaine—and roughly eighty-five prints, some with manuscript annotations and sketches, of projects or monuments primarily in France and Italy. Also included in the collection are two bound manuscripts by Pierre François Léonard Fontaine containing detailed inventories, notes, and illustrations of the architecture of Paris at the time of Napoleon I.
“Description de Paris: Rapports sur les édifices public…”
Fontaine, Pierre François Louis. [Paris?], 1813.
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