2026
Muir, K. and G. Verri. Technical Reports. In Cezanne Paintings and Watercolors at the Art Institute of Chicago, edited by G. Groom and K. Muir. Chicago: Art Institute of Chicago, 2026.
2025
Bailey, G., K. Shulman, and A. Elliott, “Analysis of Black Material Applied to Historic Copper-Alloy Ethiopian Processional Crosses,” The Journal of the Walters Art Museum, 78 (2025).
Broadway, M. “Spotlight 2. Jean-Antoine Watteau, The Old Savoyard.” in Lines of Connection: Drawing and Printmaking 1400–1850, edited by E. Adam and J. Gabbarelli, exhibition catalogue, 116–121. J. Paul Getty Museum: Getty Publication, 2025.
Broadway, M. “Spotlight 4. Giovanni Bendetto Castiglione, The Creation of Adam.” In Lines of Connection: Drawing and Printmaking 1400–1850, edited by E. Adam and J. Gabbarelli, exhibition catalogue, 200–208. J. Paul Getty Museum: Getty Publication, 2025.
Kokkori, M. and C. Granzotto. “Les boîtes d’aquarelles dans l’atelier de Cézanne.” In Cezanne au Jas de Bouffan, exhibition catalogue. Musée Granet: Editions Flammarion, 2025.
Miąsik, P., S. Pénichon, C. Granzotto, and K. Sutherland. “An investigation into the structure and color stability of Polaroid 20×24 prints.” Color Culture and Science Journal 17 (2025): 82–91.
Pénichon, S. “Case Study: The Exhibition Conserving Photographs at the Art Institute of Chicago.” In Conservation of Photographs: Significance, Use and Care, edited by D. H. Norris, N. Kennedy and B. Lavédrine, 456–457. New York: Routledge, 2025.
Robles, F. G. “Treatment of an Early Twentieth-Century Mounted Gelatin Silver Print in Four Pieces.” In Conservation of Photographs: Significance, Use and Care, edited by D. H. Norris, N. W. Kennedy and B. Lavédrine, 298–300. New York: Routledge, 2025.
Verri, G., B. Bourgeois, Y. Vandenberghe, V. Jeammet, J. Pérez-Arantegui, I. Degano, M.P. Colombini, F. Pozzi, N. Shibayama, M. Leona, A. Rizzo, E. Basso, and F. Carò. “Purple for the δῆμος: Art and Luxury in Greek Coroplastic Polychromy of the 4th–3rd century B.C.” In Colour & Space. Interfaces of Ancient Architecture and Sculpture. Proceedings of the 10th International Round Table on Polychromy in Ancient Sculpture and Architecture, edited by S. Zink and F. Grosser, 209–35. Berlin: Deutsches Archäologisches Institut, 2025.
Verri, G., K. Raff, C. Granzotto, and R. Sabino. “Dressed for Battle: Investigations of an Etruscan Architectural Gigantomachy.” In Colour & Space. Interfaces of Ancient Architecture and Sculpture. Proceedings of the 10th International Round Table on Polychromy in Ancient Sculpture and Architecture, edited by S. Zink and F. Grosser, 281–96. Berlin: Deutsches Archäologisches Institut, 2025.
Verri, G., H. Brecoulaki, I. Mennenga, and D. Igniatiadou. “Evoking Enargeia (ἐνάργεια): The Investigation and Colour Reconstruction of the Portrait Bust of Psyche from Melos.” In Chroma: Sculpture in Color from Antiquity to Today, edited by S. Hemingway, S. Lepinski, and V. Brinkmann, 105–13. New York: The Metropolitan Museum of Art, 2025.
Wigfield, E. and S. L. Webber. “Glass Supports”: AIC Paintings Specialty Group Conservation Wiki, Supports, 2025 https://www.conservation-wiki.com/wiki/Glass_Supports.
2024
Creamer, M., K. Garcia, I. Facio, and G. Swaby. “Listening to One Another: Fostering Partnerships in Conservation through Communication, Trust, and Navigating the Unexpected.” Voices of Contemporary Art Journal 14 (2024).
Granzotto, C., A. Aksamija, G. H. Tinnevelt, V. Turkina, and K. Sutherland. “New Insight from MALDI-TOF MS and Multivariate Data Analysis on the Botanical Origin of Polysaccharide-Based Paint Binders in Ancient Egypt.” Analytical Methods 16 (2024): 2959.
Haddad, A., K. Sutherland, S. A. Centeno, G. M. Kavich, M. Kokkori, C. Hoover, D. Hartman-Drumm, N. Balcar, and G. Barabant. “Painting on the Margins: Investigating the Pigments, Media, and Techniques of Séraphine Louis.” Heritage Science 12 (2024): art. 85.
Frantzi, G., A. Maridaki, E. Papakonstantinou, G. Verri, S. Sotiropoulou, and H. Brecoulaki. “The Revelation of the Decorative Pattern on the Coffered Ceiling of the Porch of the Karyatids in the Erechtheion.” In Archaeology of Colour, series Meletemata 87, edited by H. Brecoulaki. Turnhout: Brepols, 2024.
Brecoulaki, H., A. G. Karydas, G. Verri, and K. Tsampa. “A Pilot Technological Investigation of the Aigai (Vergina) Hunt Frieze: Retrieving Ancient Colours, Rethinking Modern Reconstructions.” In Archaeology of Colour, series Meletemata 87, edited by H. Brecoulaki. Turnhout: Brepols, 2024.
Kalaitzi, M., and G. Verri. “The Figured Stelai from the ‘Great Tumulus’ of Aigai Revisited: New Findings on the Distribution of Pigments and Aspects of Their Iconography.” In Archaeology of Colour, series Meletemata 87, edited by H. Brecoulaki. Turnhout: Brepols, 2024.
Brecoulaki, H., G. Verri, A.-M. Guimier-Sorbets, and L. Avlonitou. “Eclectic Uses of Egyptian Blue in Greek Painting: A Versatile Painting Material.” In Archaeology of Colour, series Meletemata 87, edited by H. Brecoulaki. Turnhout: Brepols, 2024.
Kalaitzi, M., H. Brecoulaki, and G. Verri. “The ‘Tomb of the Philosophers’ in Pella, Macedonia Revisited: New Findings on Its Iconography.” Tekmeria 18 (2024): 97–150.
Broadway, M. “Papyrus Conservation.” In Textual History of the Bible, Vol. 3D, edited by M. J. Lundberg and T. R. Hanneken. Leiden: Brill, 2023.
Broadway, M. “Star Catcher, 1956.” In Remedios Varo: Science Fictions, edited by C. Haskell and T. Arcq, exhibition catalogue, 90–95. Chicago: Art Institute of Chicago; Mexico City: Museo de Arte Moderno, 2023.
Broadway, M., and K. Rush. “Taxonomy of Techniques.” In Remedios Varo: Science Fictions, edited by C. Haskell and T. Arcq, exhibition catalogue, 30–39. Chicago: Art Institute of Chicago; Mexico City: Museo de Arte Moderno, 2023.
Broadway, M. “The Juggler, 1956.” In Remedios Varo: Science Fictions, edited by C. Haskell and T. Arcq, exhibition catalogue, 66–70. Chicago: Art Institute of Chicago; Mexico City: Museo de Arte Moderno, 2023.
Allen, M., E. Kim, and M. Creamer. “Tear Repair of an Angelique Merasty Birch Bark Biting.” Journal of the Canadian Association for Conservation 47 (2023): 19–31.
Granzotto, C., and K. Sutherland. “Black, Red and White: Characterization of Painting Materials on a Group of Bwa Masks from Burkina Faso.” Applied Sciences 13 (2023): 12240.
Kokkori, M., and K. Sutherland. “‘…the most thankless color’: Aleksandr Rodchenko’s Black-on-Black Paintings.” Technè 55 (2023): 26–35.
Genty-Vincent, A., S. Fraquelli, A. King, A. Langley, J. Mass, K. Muir, M. Porell, M.-A. Senot, A. Shutova, and J. H. Townsend. “Works by Modigliani That Have Paintings Beneath the Visible Surface.” Tate Papers 35 (2023). https://www.tate.org.uk/research/tate-papers/35/works-by-modigliani-that-have-paintings-beneath-the-visible-surface.
Maaruf, N. “Consolidating Tintypes: Preliminary Research into the Use of Different Adhesives for Consolidation of Flaking on Tintypes.” Topics in Photographic Preservation 20 (2023): 167–74.
Pénichon, S. “Gelatin Silver.” In The Art Institute of Chicago Field Guide to Photography and Media, edited by A. Byrd and E. Siegel with C. Fuldner, 180–83. Chicago: Art Institute of Chicago, 2023.
Rivera Ramos, M. C. “Controlled Anarchy: Lygia Pape and Her Materials.” In Lygia Pape Tecelares, edited by M. Pascale, exhibition catalogue, 45–54. Chicago: Art Institute of Chicago, 2023.
Rush, K. “Useless Science, or The Alchemist, 1955.” In Remedios Varo: Science Fictions, edited by C. Haskell and T. Arcq, exhibition catalogue, 40–44. Chicago: Art Institute of Chicago; Mexico City: Museo de Arte Moderno, 2023.
Rush, K. “The Flutist, 1955.” In Remedios Varo: Science Fictions, edited by C. Haskell and T. Arcq, exhibition catalogue, 78–83. Chicago: Art Institute of Chicago; Mexico City: Museo de Arte Moderno, 2023.
Sabino, R. C., E. McGoey, D. Roberts Rousseau, K. Sutherland, and A. C. Talley. “Tiffany Studios’ Hartwell Memorial Window: Innovations in Glass and Conservation Engineering.” In Working Towards a Sustainable Past: ICOM-CC 20th Triennial Conference Preprints, Valencia, 18–22 September 2023, edited by J. Bridgland, 10 pp. Paris: International Council of Museums, 2023.
McGoey, E., D. Rousseau, R. Sabino, K. Sutherland, and A. Talley. “A New Setting for Tiffany Glass: The Hartwell Memorial Window at the Art Institute of Chicago.” In Perspectives on Place, edited by E. McGoey and J. M. Teutonico. Chicago: Art Institute of Chicago, 2023. /digital-publications/38/perspectives-on-place/39/a-new-setting-for-tiffany-glass-the-hartwell-memorial-window-at-the-art-institute-of-chicago.
Dajnowski, A., T. J. Tague, T. Roberts, M. Strutt, B. A. Price, N. M. Kelly, D. W. Tague, K. Sutherland, and B. A. Dajnowski. “You Can Clean but Cannot Touch: Graffiti Removal from Prehistoric Pictographs at Hueco Tanks State Park & Historic Site Using Laser Ablation Process.” In Lasers in the Conservation of Artworks XIII, edited by S. Siano and D. Ciofini, 96–103. London: CRC Press, 2023.
Verri, G., and H. Brecoulaki. “From the Face and Expression of the Eyes: Multidisciplinary Studies of Pigments in Ancient Greek and Roman Painted Surfaces.” Technai: An International Journal for Ancient Science and Technology 14 (2023): 51–69.
Verri, G., H. Granger-Taylor, I. Jenkins, T. Sweek, K. Weglowska, and W. Thomas Wootton. “The Goddess’ New Clothes: The Carving and Polychromy of the Parthenon Sculptures.” Antiquity 97, no. 395 (2023): 1173–92. https://doi.org/10.15184/aqy.2023.130.
Brecoulaki, H., G. Verri, M. Kalaitzi, Y. Maniatis, and M. Lilimpaki-Akamati. “Investigating Colors and Techniques on the Wall Paintings of the ‘Tomb of the Philosophers,’ an Early Hellenistic Macedonian Monumental Cist Tomb in Pella (Macedonia, Greece).” Heritage 6 (2023): 5619–47.
Bourgeois, B., G. Verri, and V. Jeammet. “Color and Light: A Hellenistic Terracotta Figurine of a Maenad from Myrina.” Heritage 6 (2023): 3005–24.
Brecoulaki, H., and G. Verri. “‘Standing out of the Panel’: Logic and Experience of Light and Shade in Greek Painting.” In Pittura, luce, colore: Atti del IV colloquio AIRPA Urbino 17–19 Giugno 2021, edited by A. Santucci, 31–50. Rome: Edizioni Quasar, 2023.
Wigfield, E., and C. Zappella. “Becuccio Bicchieraio and His Wife, Lucrezia, Restored.” Burlington Magazine 165 (2023): 302–5.
Conference Proceedings
Ackerman L., E. Stewart-Davis “A Limewood Lemon: Overhauling a 17th-Century Grinling Gibbons Overmantel” Postprints of the American Institute for Conservation 50th Annual Meeting, Wooden Artifacts Group. 2022
Journal articles
Dahm K., Casadio F., and J-L Andral “Picasso’s Faun Musician: Revealing the Making, Contextualising the Meaning “, The Burlington Magazine, 164 (2022) 242-249 .
Sutherland, K., Kokkori, M., ‘Investigating formulations of cellulose acetate plastics in the collections of the Art Institute of Chicago using pyrolysis gas chromatography mass spectrometry’, Journal of Analytical and Applied Pyrolysis 163 (2022) 105484.
Gehad, B., J. Arslanoglu, C. Granzotto, and M. Leona. “Molten Versus Punic Encaustic: Interdisciplinary Analytical Approach for the Determination of Methods Used for Encaustic Painting Implementation.” In Proceedings of the First International Conference on the Science of Ancient Egyptian Materials and Technologies (SAEMT), Bibliothèque Générale 64, 2022.
Di Gianvincenzo, F., Peggie, D., Mackie, M., Granzotto, C., Higgitt, C., Cappellini, E., ‘Palaeoproteomics guidelines to identify proteinaceous binders in artworks following the study of a 15th-century painting by Sandro Botticelli’s workshop’, Scientific Reports 12 (2022) 10638.
Maaruf, N., Pénichon, S., Kokkori, M., ‘The Flexichrome: Visual examination and scientific analysis of an overlooked color process’, Color Culture and Science Journal 14 (2022) 7-15.
Muir, K., K. Dahm, G. Verri, M. Kokkori, and C. Granzotto. “A Harmony Parallel to Nature: Color, Form, and Space in Cezanne’s Watercolors and Oil Paintings.” In Cezanne, edited by A. Borchardt-Hume, G. Groom, C. Haskill, and N. Sidlina), exhibition catalogue, 47–59. Chicago: Art Institute of Chicago, 2022.
Tom, C., C. Granzotto, and K. Sutherland. “Seeking Balance: Material and Meaning in a Polychrome Guanyin.” In Perspectives on In/stability, edited by D. Collier and R. Farrell. Chicago: Art Institute of Chicago, 2022. /digital-publications/36/perspectives-on-instability/20/material-and-meaning-in-a-polychrome-guanyin.
Exhibition Catalogues, Books, and Book Chapters
Facio, I., “Anatomy of Memory: The Materiality and Structure of Igshaan Adams’s Upheaved,” in : Folkerts Hendrik, Lynne Cooke, Isaac Facio, Joshua Lee Ginsburg, Muhsin Hendricks, Eusebius McKaiser, Kathryn Smith, Ocean Vuong , Arnisa Zeqo and Igshaan Adams. Igshaan Adams : Desire Lines First ed. Chicago IL: Art Institute of Chicago. Pp.78-85. 2022.
F.Casadio, M. Walton and G. Verri, “An ecosystem for diagnosis: creating synergies in academic and museum research”, in Diagnosis: Before, During and After, Conservation 360, (2) Editorial Universitat Politècnica de València; Anna Vila and Alison Murray (Eds) pp.132-171; ISBN: 978-84-9705-759-2. 2022
Online publications
A. Langley, K. Rush, and J.Simek, “‘The Complete Painter’: Malangatana’s Approach to Painting, 1959–75,” in Malangatana: Mozambique Modern—The Modern Series at the Art Institute of Chicago (Art Institute of Chicago, 2021): /digital-publications/34/malangatana-mozambique-modern
Conference Proceedings
N. Maaruf.”Nineteenth–Century Japanese Tourist Albums at the Art Institute of Chicago: Complex Interpretation and Material Deterioration.” In Book and Paper Group Annual 40: 144-153. 2021.
Tom, C., Sutherland, K., Granzotto, C., Fiedler, I., ‘The many faces of Guanyin: Conservation and context of a polychrome bodhisattva’, in Transcending Boundaries: Integrated Approaches to Conservation. ICOM-CC 19th Triennial Conference Preprints, Beijing, 17–21 May 2021, ed. J. Bridgland, International Council of Museums, Paris (2021) 8 pp.
Casadio F., Fry E., Molina S., Ysasi-Tavano G. “Execute, Evaluate, Repeat: implementing an integrated Art + Science interpretation strategy at the Art Institute of Chicago “, In Transcending Boundaries: Integrated Approaches to Conservation. ICOM-CC 19th, Triennial Conference Preprints, Beijing, 17–21, May 2021, ed. J. Bridgland. International Council of Museums, Paris (2021)
Journal articles
Granzotto, C., Sutherland, K., Goo, Y. A., Aksamija, A., ‘Characterization of surface materials on African sculptures: new insights from a multi-analytical study including proteomics’, Analyst 146 (2021) 3305-3316.
McGeachy, A., Sabino, R., McGoey, E., & Walton, M. “Shining Through: Multi-Analytical Studies of the Tiffany Hartwell Memorial Window.” Microscopy and Microanalysis, 27 (2021)(S1).
K. T. Faber, F. Casadio, A.Masic, L. Robbiola, M. Walton “Looking Back, Looking Forward: Materials Science in Art, Archaeology and Art Conservation”, Annu. Rev. Mater. Res. 2021. 51:6.1–6.26
F. Casadio “Sharing Power: Leadership Lessons from Interdisciplinary Practices in an Art Museum”, Curator, the Museum Journal, 64 (3) (2021)1- 23.
McDonough, K., J. Heinen, A. Nichols, B. Castriota, J. Farbowitz, M. Perry and S. Arden. “Who is the Electronic Media Group (EMG)?” AICNews 46, no.1 (January 2021): 1, 5-10.
Exhibition Catalogues, Books, and Book Chapters
Broadway, M., Sutherland, K., Granzotto, C., ‘Exploring the Terrain of Joseph E. Yoakum’s Landscapes: Methods and Materials’ in Joseph E. Yoakum: What I Saw, ed. M. Pascale, E. Adler and É. Kopp, 84-95. Chicago: The Art Institute of Chicago,2021.
Pénichon, Sylvie. “It Was a Beautiful Paper; Notes on Guilleminot Cartes Postales.” In André Kertész: Postcards from Paris, edited by Elizabeth Siegel, 49-57. Chicago: Art Institute of Chicago, 2021.
F. Casadio “ Moving beyond the binaries: exploring the active matter of metal soaps in paint”, in Conserving Active Matter, Peter Miller and Soon Kai Poh (Eds.), p.318-342. New York: Bard Graduate Center 2021.
Online publications
K. Muir, “Ground and Atmosphere: Observations on Whistler’s Painting Supports,” in Whistler Paintings and Drawings at the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2020):
https://publications.artic.edu/whistlerart/reader/paintingsanddrawings/section/65
C. E. Rogge, D. Dijkema, K. Rush “A discriminating yellow: the detection of an anachronistic organic pigment in two backdated metaphysical paintings by Giorgio de Chirico”, in Studi Online, Rivista semestrale Anno VII n. 13 1 gennaio - 30 giugno 2020, ARCHIVIO DELL’ARTE METAFISICA: La ricerca al servizio di un grande movimento artistico italiano www.archivioartemetafisica.org:
http://www.archivioartemetafisica.org/studi-online-anno-vii-n-13-1-gennaio-30-giugno-2020/
O’Connor, K., A. Pate, S. Pénichon, and F. Casadio. “Moonlight or Midnight? Researching the Phases of Edward Steichen’s Moonrise Prints.” Journal of the American Institute for Conservation 59 (2020): 111–22. https://doi.org/10.1080/01971360.2020.1711689
Conference Proceedings
M. Baumeister, L. Ackerman, J. Ng, and I. Kipre,” Digital 3-D Reproduction and CNC Milling: Putting the Finial Touches on an Architectural Highlight, the Cassiobury House Staircase”, AIC/Wooden Artifacts Specialty Group Postprints 2020.
M. Baumeister, L. Ackerman, N. Pedemonti, and I. Kipre. “Reactive, Proactive and Interactive: The Conservation and Reinstallation of the Cassiobury House Staircase at The Met”, AIC/OSG/ASG Postprints. 2020
Journal articles
Langley, A., Muir, K., Sutherland, K., ‘Scenes from the life of Picasso’s Still Life (1922): history, materials, and conservation’, SN Applied Sciences 2 (2020) art. 1384.
Gutman Rieppi, N., Price, B. A., Sutherland, K., Lins, A. P., Newman, R., Wang, P., Wang, T., Tague, T. J., ‘Salvator Mundi: an investigation of the painting’s materials and techniques’, Heritage Science 8 (2020) art. 39.
Lauren F. Sturdy, Madeleine S. Wright, Alexander Yee, Francesca Casadio, Katherine T. Faber and Kenneth R. Shull, “Effects of Zinc Oxide Filler on the Curing and Mechanical Response of Alkyd Coatings”, Polymer , 191 ( 2020) 122222
Exhibition Catalogues, Books, and Book Chapters
G. Groom and K. Muir, “Impression, Improvisation, and Premeditation: New Insights into the Working Methods and Creative Process of Claude Monet,” in Wiley Companion to Impressionism:
https://www.wiley.com/en-ag/A+Companion+to+Impressionism-p-9781119373896
Sutherland K., Sabino, R.C., Pozzi, F., ‘Challenges in the Characterization and Categorization of Binding Media in Mummy Portraits’, in Mummy Portraits of Roman Egypt: Emerging Research from the APPEAR Project, ed. M. Svoboda and C. R. Cartwright, J. Paul Getty Museum, Los Angeles (2020):
http://www.getty.edu/publications/mummyportraits/
Kokkori, M., “Color is light”: From Impressionism to Suprematism, in: Impressionism in Russia: Dawn of the Avant-Garde, Prestel, Munich, 2020, 64-73.
Bouras, A., Kokkori, M., On Unovis and creativity: Lazar Khidekel’s AERO, in: They will understand us in one hundred years”: Lazar Khidekel, ed. R. Khidekel, National Art Museum of the Republic of Belarus, Minsk, 2020, 25-38.
Journal articles
Granzotto, C., Sutherland, K., Arslanoglu, A., and Ferguson, G. A., ‘Discrimination of Acacia gums by MALDI-TOF MS: applications to micro-samples from works of art’, Microchemical Journal 144 (2019) 229–241.
K.O’Connor, A. Pate, S.Pénichon, F.Casadio,” Moonlight or Midnight? Researching the Phases of Edward Steichen’s Moonrise Prints”, Journal of the American Institute for Conservation, 59, 2 (2019) 111–22.
E.Pouyet , M.Ganio , A. Motlani , A. Saboo, F. Casadio and M. Walton, “Casting Light on 20th-Century Parisian Artistic Bronze: Insights from Compositional Studies of Sculptures Using Hand-Held X-ray Fluorescence Spectroscopy”, Heritage 2019, 2, 732–748
Sutherland, K., Conference review: Ancient Panel Paintings: Examination, Analysis and Research, The Picture Restorer 54 (Spring 2019) 42-44.
Keegan, K. “Methods behind the Magic: The Materials and Techniques of Ivan Albright.” In Ivan Albright Paintings at the Art Institute of Chicago, edited by S. K. Oehler. Chicago: Art Institute of Chicago, 2019.
Wigfield, E. ‘Pollution’: AIC, PSG Paintings Conservation Wiki, Preventive Considerations (2019). https://www.conservation-wiki.com/wiki/Pollution
Exhibition Catalogues, Books, and Book Chapters
Sutherland, K., ‘Gas chromatography/mass spectrometry techniques for the characterisation of organic materials in works of art’, Physical Sciences Reviews (2018) doi.org/10.1515/psr-2018-0010
Sancho Lobis, V., A.Owen, .F. Casadio, E. Vokt Ziemba, and Art Institute of Chicago. 2019. Rubens, Rembrandt, and Drawing in the Golden Age.
Breslin, D., B. Price, K. Sutherland, S. Malenka, and K. Duffy. “A Technical Study of a Medieval Painted Shield in the Philadelphia Museum of Art.” In Schilde des Spätmittelalters und der Frühen Neuzeit, edited by R. Beuing and W. Augustyn, 261–73. Passau: Dietmar Klinger Verlag, 2019.
Casadio, Francesca, Ludovic Bellot-Gurlet, and Céline Paris. “Factors Affecting the Reactivity of Zinc Oxide with Different Drying Oils: A Vibrational Spectroscopy Study.” Metal Soaps in Art. Springer, Cham, 2019. 153-170.
Di Gianvincenzo, F., C. Granzotto, and E. Cappellini. “Skin, Furs, and Textiles: Mass Spectrometry-based Analysis of Ancient Protein Residues.” In The Textile Revolution in Bronze Age Europe: Production, Specialisation, Consumption, edited by S. Sabatini and S. Bergerbrant. Cambridge: Cambridge University Press, 2019.
Online Publications
Dahm, Kristi, Kathleen Kiefer, and Kristin Hoermann Lister, with contributions by Inge Fiedler. “Technical Reports.” In Matisse Paintings, Works on Paper, Sculpture, and Textiles at the Art Institute of Chicago, edited by Stephanie D’Alessandro. Chicago: Art Institute of Chicago, 2018.
Dahm, Kristi. “Mounting Evidence: Original Mounts on Early Matisse Drawings.” In Matisse Paintings, Works on Paper, Sculpture, and Textiles at the Art Institute of Chicago, edited by Stephanie D’Alessandro. Chicago: Art Institute of Chicago, 2018.
Journal Articles
Buckley, Barbara, Michael Duffy, Allison Langley, and Mina Porell. “Modigliani’s Paris Portraits 1915–1917.” Burlington Magazine CLX, no. 1381 (April 2018): 311–318.
Daher, Celine, Ken Sutherland, Harriet Stratis, and Francesca Casadio. “Paul Gauguin’s Noa Noa prints: Multi-analytical characterization of the printmaking techniques and materials.” Microchemical Journal, no. 138 (May 2018): 348–359.
Sutherland, K. “Gas Chromatography/Mass Spectrometry Techniques for the Characterisation of Organic Materials in Works of Art.” Physical Sciences Reviews (2018). https://doi.org/10.1515/psr-2018-0010.
Exhibition Catalogues, Books, and Book Chapters
Broadway, Mary, Ken Sutherland, Veronica Biolcati, and Francesca Casadio. “Mastery of Materials: Examining John Singer Sargent’s Watercolors at the Art Institute of Chicago.” In John Singer Sargent and Chicago’s Gilded Age by Annelise K. Madsen, with contributions from Mary Broadway and Richard Ormond. Chicago: Art Institute of Chicago, 2018.
Kokkori, Maria, and Christine Lodder, eds. Kazimir Malevich and the UNOVIS group. New York: Prestel, 2018.
Kokkori, Maria, Ken Sutherland, and Francesca Casadio. “Metallic Paints and Modernism: Artists’ Writings and Documentary Sources.” In Expression and Sensibility: Art Technological Sources and the Rise of Modernism, edited by Christopher Kekel, Joyce Townsend, Sigrid Eyb Green, Jo Kirby, and Kathrin Pilz. London: Archetype Publications, 2018.
Kokkori, Maria. “Teaching Modernism.” In Chagall, Lissitzky, Malevich: The Russian Avant-Garde in Vitebsk (1918–1922), edited by Angela Lampe. Paris: Centre Pompidou, 2018.
Online Publications
Broadway, Mary, Rachel Freeman, Kimberley Muir, and Antoinette Owen. “Technical Reports.” In Manet Paintings and Works on Paper at the Art Institute of Chicago, edited by Gloria Groom and Genevieve Westerby. Chicago: Art Institute of Chicago, 2017.
Langley, Allison. “Edtoanisl (ecclesiastique).” In Francis Picabia: Materials and Techniques, edited by Michael Duffy, Talia Kwartler, Natalie Dupecher, and Anne Umland. New York: Museum of Modern Art, 2017.
Sabino, Rachel, with contributions by Lorenzo Lazzarini and Sidney Goldstein. “Technical Reports.” In Roman Art at the Art Institute of Chicago, edited by Katharine Raff. Chicago: Art Institute of Chicago, 2017.
Journal Articles
Diemer, Benedikt, and Isaac Facio. “The Fabric of the Universe: Exploring the Cosmic Web in 3-D Prints and Woven Textiles.” Publications of the Astronomical Society of the Pacific 129, no. 975 (April 2017).
Granzotto, Clara, and Ken Sutherland. “Matrix Assisted Laser Desorption Ionization Mass Fingerprinting for Identification of Acacia Gum in Microsamples from Works of Art.” Analytical Chemistry 89, no. 5 (2017): 3059–3068.
Kokkori, Maria, and Alexander Bouras. “Metallic Factures: László Moholy-Nagy and Kazimir Malevich.” Leonardo 50, no. 3 (June 2017): 287–291.
Muir, Kimberley. Review of In a New Light: Giovanni Bellini’s “St. Francis in the Desert” by Susannah Rutherglen and Charlotte Hale. Journal of the American Institute for Conservation 56, no. 3/4 (2017): 263–265.
Oakley, Lindsay, Francesca Casadio, Kenneth Shull, and Linda Broadbent. “A Theoretical Study of Epoxidation Reactions Relevant to Hydrocarbon Oxidation.” Industrial & Engineering Chemistry Research 56, no. 26 (June 2017): 7457–7461.
Pénichon, Sylvie, Krista Lough, and Paul Messier. “An Objective Revaluation of Photograms by László Moholy-Nagy.” Leonardo 50, no. 3 (June 2017): 292–295.
Salvant, Johanna, Julie Barten, Francesca Casadio, Maria Kokkori, Federica Pozzi, Carol Stringari, Ken Sutherland, and Marc Walton. “László Moholy-Nagy’s Painting Materials: From Substance to Light.” Leonardo 50, no. 3 (June 2017): 316–320.
Salvant, Johanna, J. Williams, M. Ganio, F. Casadio, C. Daher, K. Sutherland, L. Monico, F. Vanmeert, S. De Meyer, K. Janssens, C. Cartwright, and M. Walton. “A Roman Egyptian Painting Workshop: Technical Investigation of the Portraits from Tebtunis, Egypt.” Archaeometry, published online November 24, 2017.
Conference Proceedings
Freeman, Rachel, Cyntia Karnes, and Harriet Stratis. Art on Paper Discussion Group: “Multiple Perspectives on the Treatment of Multiples: Innovative Thinking on the Conservation of Prints.” The Book and Paper Group Annual 36 (2017).
Kokkori, Maria, Ken Sutherland, and Francesca Casadio. “More Than a Pure Technical Sensation: Twentieth-Century Metallic Paints, Their Formulations and Use in Paintings.” In ICOM-CC 18th Triennial Conference, 2017 Preprints, Copenhagen, September 4–8, 2017, edited by J. Bridgland, art. 0102. Paris: International Council of Museums.
Sabino, Rachel. “The Comprehensive Treatment of a Renaissance Terracotta Altarpiece by Benedetto Baglioni.” In Proceedings of the Objects Specialty Group Session 45th Annual Meeting in Chicago, Illinois 24, edited by Emily Hamilton, Kari Dodson, and Lara Kaplan, with Tony Sigel. Presented at “Treatment 2017: Innovation in Conservation and Collection Care,” May 28–June 2, 2017.
Sabino, Rachel. “Fast Fills for Big Gaps.” In Proceedings of the Objects Specialty Group Session 45th Annual Meeting in Chicago, Illinois 24, edited by Emily Hamilton, Kari Dodson, and Lara Kaplan, with Tony Sigel. Presented at “Treatment 2017: Innovation in Conservation and Collection Care,” May 28–June 2, 2017.
Tom, Cybele, and Ken Sutherland. “Overpaint Removal from a Quattrocento Polychrome Bas-Relief: Challenges in Interpreting Painted Sculpture.” In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, September 4–8, 2017, edited by J. Bridgland, art. 1709. Paris: International Council of Museums.
Online Publications
Broadway, Mary. “All the Rage: The Edison Mimeograph and Gauguin’s Le sourire (The Smile).” In Gauguin Paintings, Sculpture, and Graphic Works at the Art Institute of Chicago, edited by Gloria Groom and Genevieve Westerby with Mel Becker Solomon. Chicago: Art Institute of Chicago, 2016.
Broadway, Mary, and Harriet Stratis. “Drawing Conclusions: A Methodology to Reconstruct Gauguin’s Disbound Sketchbooks.” In Gauguin Paintings, Sculpture, and Graphic Works at the Art Institute of Chicago, edited by Gloria Groom and Genevieve Westerby with Mel Becker Solomon. Chicago: Art Institute of Chicago, 2016.
Hoermann Lister, Kristin, Mary Broadway, and Harriet Stratis. “Technical Reports.” In Gauguin Paintings, Sculpture, and Graphic Works at the Art Institute of Chicago, edited by Gloria Groom and Genevieve Westerby with Mel Becker Solomon. Chicago: Art Institute of Chicago, 2016.
Journal Articles
Casadio, Francesca, Celine Daher, and Ludovic Bellot-Gurlet. 2016. “Raman Spectroscopy of Cultural Heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing.” Topics in Current Chemistry 374, no. 62 (October 2016): 1–51.
Chen, Victor, Gregory D. Smith, Amanda Holden, Niloo Paydar, and Kathleen Kiefer. “Chemical Analysis of Dyes on an Uzbek Ceremonial Coat: Objective Evidence for Artifact Dating and the Chemistry of Early Synthetic Dyes.” Dyes and Pigments 131 (August 2016): 320–332.
Cucci, Costanza, Giovanni Bartolozzi, Marco De Vita, Veronica Marchiafava, Marcello Picollo, and Francesca Casadio. “The Colors of Keith Haring: A Spectroscopic Study on the Materials of the Mural Painting Tuttomondo and on Reference Contemporary Outdoor Paints.” Applied Spectroscopy 70, no. 1 (January 2016): 186–196.
Dahm, Kristi. “Casting Far and Wide: Winslow Homer’s Engagement with the Materiality of Paper.” The Book and Paper Group Annual 35 (2016): 133–134.
Dahm, Kristi. Review of Picasso: The Making of Cubism 1912-1914, edited by Anne Upland, Blair Hartnell, and Scott Gerson. The Journal For The American Institute for Conservation 55, no. 1 (May 2016): 71–74.
Kokkori, Maria, Marie-Odile Hubert, Nathalie Balcar, Gilles Brabant, Ken Sutherland, and Francesca Casadio. “Gloss Paints in Late Paintings by Francis Picabia: A Multi-Analytical Study.” Applied Physics A: Materials Science and Processing 122 ( December 2016): 1–11.
Pozzi, Federica, Stephanie Zaleski, Francesca Casadio, and Richard P. Van Duyne. “SERS Discrimination of Closely Related Molecules: A Systematic Study of Natural Red Dyes in Binary Mixtures.” Journal of Physical Chemistry 120, no. 37 (2016): 21017–21026.
Salvant, Johanna, Ken Sutherland, Julie Barten, Carol Stringari, Francesca Casadio, and Marc Walton. “Two László Moholy-Nagy paintings on Trolit: Insights into the Condition of an Early Cellulose Nitrate Plastic.” E-Preservation Science 13 (2016): 15–22.
Saviello, Daniela, Lucia Toniolo, Sara Goidanich, and Francesca Casadio. “Non-Invasive Identification of Plastic Materials in Museum Collections with Portable FTIR Reflectance Spectroscopy: Reference Database and Practical Applications.” Microchemical Journal 124 (January 2016): 868–877.
Sturdy, Lauren F., Alexander Yee, Francesca Casadio, and Kenneth Shull. “Quantitative Characterization of Alkyd Cure Kinetics with the Quartz Crystal Microbalance.” Polymer 103, no. 26 (October 2016): 387–396.
Conference Proceedings
Dai, Qiqin, Emeline Pouyet, Oliver Cossairt, Marc Walton, Francesca Casadio, and Aggelos Katsaggelos. “X-Ray Fluorescence Image Super-Resolution Using Dictionary Learning.” In 2016 IEEE 12th Image, Video, and Multidimensional Signal Processing Workshop (IVMSP). Bordeaux, France, July 11–12, 2016.
Freeman, Rachel, Cyntia Karnes, and Stephanie Lussier. Art on Paper Discussion Group: “Paper is Part of the Picture: Connoisseurship and Conservation Practice.” The Book and Paper Group Annual 35 (2016).
Kokkori, Maria, Stephanie D’Alessandro, Kristin Lister, and Francesca Casadio. “Materials and Meanings: Analyzing Kazimir Malevich’s Painterly Realism of a Football Player—Color Masses in the 4th Dimension.” In The Noninvasive Analysis of Painted Surfaces: Scientific Impact and Conservation Practice, edited by Austin Nevin and Tiarna Doherty, 65–75. Smithsonian Contributions to Museum Conservation No. 5, Washington, DC: Smithsonian Institution Scholarly Press.
Langley, Allison, Kimberley Muir, and Aniko Bezur. “Looking Below the Surface of Picasso’s The Old Guitarist.” In Painting Techniques, History, Materials and Studio Practice, 5th International Symposium, edited by A. Wallert. Amsterdam: Rijksmuseum, 258–263.
Muir, Kimberley, Inge Fiedler, Donald H. Johnson, and Robert G. Erdmann. 2016. “Étude Systématique des Toiles Utilisées par Claude Monet,” in Peindre au Temps des Impressionnistes: L’apport de l’étude Matérielle des Toiles, edited by Bénédicte Trémolières. Mont-Saint-Aignan: Presses Universitaires de Rouen et du Havre, 2016. 63–80.
Muir, Kimberley, Inge Fiedler, Donald H. Johnson, and Robert G. Erdmann. “Thread Count, Weave, and Ground Analysis of Claude Monet’s Vieille & Troisgros/Troisgros Frères Canvases in the Art Institute of Chicago.” In Painting Techniques, History, Materials and Studio Practice, 5th International Symposium, edited by A. Wallert. Amsterdam: Rijksmuseum, 226–236.
Sutherland, Ken, L. Mayer, and G. Myers. “Soehnée Frères Retouching Varnish and American Painters.” In Sources on Art Technology: Back to Basics—Proceedings of the Sixth Symposium of the ICOM-CC Working Group for Art Technological Source Research, edited by Sigrid Eyb-Green, Joyce Townsend, Kathrin Pilz, Stefanos Kroustallis, and Idelette van Leeuwin. London: Archetype Publications, 2016.
Exhibition Catalogues, Books, and Book Chapters
Barten, Julie, Sylvie Pénichon, and Carol Stringari. “The Materialization of Light.” In Moholy-Nagy: Future Present, edited by Matthew Witkovsky, 187–202. Chicago: The Art Institute of Chicago, 2016.
Fiedler, Inge, Ella Hendriks, Teio Meedendorp, Michel Menu, and Johanna Savant. “Materials, Intention, and Evolution: Van Gogh’s Bedrooms.” In Van Gogh’s Bedrooms, edited by Gloria Groom, 68–103. Chicago: The Art Institute of Chicago, 2016.
MacDonough, Kristin, Rebecca Fraimow, Dan Erdman, Kathryn Gronsbell, and Erica Titkemeyer. “On the EVE of Preservation: Conserving a Complex Universe.” In Internet Spaceships are Serious Business: An EVE Online Reader, edited by Marcus Carter, Kelly Bergstrom, and Darryl Woodford, 210–220. Minneapolis: University of Minnesota Press, 2016.
Pozzi, Federica, Stephanie Zaleski, Francesca Casadio, Marco Leona, John R. Lombardi, and Richard P. Van Duyne. “Surface-Enhanced Raman Spectroscopy: Using Nanoparticles to Detect Trace Amounts of Colorants in Works of Art.” In Nanoscience and Cultural Heritage, edited by Phillipe Dillmann, Ludovic Bellot-Gurlet, and Irène Nenner, 161–204. Paris: Atlantis Press, 2016.
Online Publications
Owen, Antoinette, and Kelly Keegan. “Technical Reports.” In Caillebotte Paintings and Drawings at the Art Institute of Chicago, edited by Gloria Groom and Genevieve Westerby. Chicago: Art Institute of Chicago, 2015.
Conference Proceedings
Barten, Julie, Francesca Casadio, Johanna Salvant, Carol Stringari, Ken Sutherland, and Marc Walton. “A Wealth of Optical Expression: László Moholy-Nagy’s Works in the Collection of the Guggenheim Museum.” In Postprints of the American Institute for Conservation of Historic and Artistic Works 43rd Annual Meeting, Miami, Florida, May 13–16, 2015.
Casadio, Francesca, and Jean-Louis Andral. “Retour d’expérience: L’usage du Ripolin dans les peintures de la collection du Musée Picasso d’Antibes.” In Proceedings of the International Symposium “Revoir Picasso,” Musée National Picasso-Paris, March 25–28, 2015.
