Conservation and Science Publications

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2018

Online Publications

Dahm, Kristi, Kathleen Kiefer, and Kristin Hoermann Lister, with contributions by Inge Fiedler. “Technical Reports.” In Matisse Paintings, Works on Paper, Sculpture, and Textiles at the Art Institute of Chicago, edited by Stephanie D’Alessandro. Chicago: Art Institute of Chicago, 2018.

Dahm, Kristi. “Mounting Evidence: Original Mounts on Early Matisse Drawings.” In Matisse Paintings, Works on Paper, Sculpture, and Textiles at the Art Institute of Chicago, edited by Stephanie D’Alessandro. Chicago: Art Institute of Chicago, 2018.

Journal Articles

Buckley, Barbara, Michael Duffy, Allison Langley, and Mina Porell. “Modigliani’s Paris Portraits 1915–1917.” Burlington Magazine CLX, no. 1381 (April 2018): 311–318.

Daher, Celine, Ken Sutherland, Harriet Stratis, and Francesca Casadio. “Paul Gauguin’s Noa Noa prints: Multi-analytical characterization of the printmaking techniques and materials.” Microchemical Journal, no. 138 (May 2018): 348–359.

Exhibition Catalogues, Books, and Book Chapters

Broadway, Mary, Ken Sutherland, Veronica Biolcati, and Francesca Casadio. “Mastery of Materials: Examining John Singer Sargent’s Watercolors at the Art Institute of Chicago.” In John Singer Sargent and Chicago's Gilded Age by Annelise K. Madsen, with contributions from Mary Broadway and Richard Ormond. Chicago: Art Institute of Chicago, 2018. 

Kokkori, Maria, and Christine Lodder, eds. Kazimir Malevich and the UNOVIS group. New York: Prestel, 2018.

Kokkori, Maria, Ken Sutherland, and Francesca Casadio. “Metallic Paints and Modernism: Artists’ Writings and Documentary Sources.” In Expression and Sensibility: Art Technological Sources and the Rise of Modernism, edited by Christopher Kekel, Joyce Townsend, Sigrid Eyb Green, Jo Kirby, and Kathrin Pilz. London: Archetype Publications, 2018.

Kokkori, Maria. “Teaching Modernism.” In Chagall, Lissitzky, Malevich: The Russian Avant-Garde in Vitebsk (1918–1922), edited by Angela Lampe. Paris: Centre Pompidou, 2018.

2017

Online Publications

Broadway, Mary, Rachel Freeman, Kimberley Muir, and Antoinette Owen. “Technical Reports.” In Manet Paintings and Works on Paper at the Art Institute of Chicago, edited by Gloria Groom and Genevieve Westerby. Chicago: Art Institute of Chicago, 2017.

Langley, Allison. “Edtoanisl (ecclesiastique).” In Francis Picabia: Materials and Techniques, edited by Michael Duffy, Talia Kwartler, Natalie Dupecher, and Anne Umland. New York: Museum of Modern Art, 2017.

Sabino, Rachel, with contributions by Lorenzo Lazzarini and Sidney Goldstein. “Technical Reports.” In Roman Art at the Art Institute of Chicago, edited by Katharine Raff. Chicago: Art Institute of Chicago, 2017.

Journal Articles

Diemer, Benedikt, and Isaac Facio. “The Fabric of the Universe: Exploring the Cosmic Web in 3-D Prints and Woven Textiles.” Publications of the Astronomical Society of the Pacific 129, no. 975 (April 2017).

Granzotto, Clara, and Ken Sutherland. “Matrix Assisted Laser Desorption Ionization Mass Fingerprinting for Identification of Acacia Gum in Microsamples from Works of Art.” Analytical Chemistry 89, no. 5 (2017): 3059–3068.

Kokkori, Maria, and Alexander Bouras. “Metallic Factures: László Moholy-Nagy and Kazimir Malevich.” Leonardo 50, no. 3 (June 2017): 287–291.

Muir, Kimberley. Review of In a New Light: Giovanni Bellini’s “St. Francis in the Desert” by Susannah Rutherglen and Charlotte Hale. Journal of the American Institute for Conservation 56, no. 3/4 (2017): 263–265.

Oakley, Lindsay, Francesca Casadio, Kenneth Shull, and Linda Broadbent. “A Theoretical Study of Epoxidation Reactions Relevant to Hydrocarbon Oxidation.” Industrial & Engineering Chemistry Research 56, no. 26 (June 2017): 7457–7461.

Pénichon, Sylvie, Krista Lough, and Paul Messier. “An Objective Revaluation of Photograms by László Moholy-Nagy.” Leonardo 50, no. 3 (June 2017): 292–295.

Salvant, Johanna, Julie Barten, Francesca Casadio, Maria Kokkori, Federica Pozzi, Carol Stringari, Ken Sutherland, and Marc Walton. “László Moholy-Nagy’s Painting Materials: From Substance to Light.” Leonardo 50, no. 3 (June 2017): 316–320.

Salvant, Johanna, J. Williams, M. Ganio, F. Casadio, C. Daher, K. Sutherland, L. Monico, F. Vanmeert, S. De Meyer, K. Janssens, C. Cartwright, and M. Walton. “A Roman Egyptian Painting Workshop: Technical Investigation of the Portraits from Tebtunis, Egypt.” Archaeometry, published online November 24, 2017.

Conference Proceedings

Freeman, Rachel, Cyntia Karnes, and Harriet Stratis. Art on Paper Discussion Group: “Multiple Perspectives on the Treatment of Multiples: Innovative Thinking on the Conservation of Prints.” The Book and Paper Group Annual 36 (2017).

Kokkori, Maria, Ken Sutherland, and Francesca Casadio. “More Than a Pure Technical Sensation: Twentieth-Century Metallic Paints, Their Formulations and Use in Paintings.” In ICOM-CC 18th Triennial Conference, 2017 Preprints, Copenhagen, September 4–8, 2017, edited by J. Bridgland, art. 0102. Paris: International Council of Museums.

Sabino, Rachel. “The Comprehensive Treatment of a Renaissance Terracotta Altarpiece by Benedetto Baglioni.” In Proceedings of the Objects Specialty Group Session 45th Annual Meeting in Chicago, Illinois 24, edited by Emily Hamilton, Kari Dodson, and Lara Kaplan, with Tony Sigel. Presented at “Treatment 2017: Innovation in Conservation and Collection Care,” May 28–June 2, 2017.

Sabino, Rachel. “Fast Fills for Big Gaps.” In Proceedings of the Objects Specialty Group Session 45th Annual Meeting in Chicago, Illinois 24, edited by Emily Hamilton, Kari Dodson, and Lara Kaplan, with Tony Sigel. Presented at “Treatment 2017: Innovation in Conservation and Collection Care,” May 28–June 2, 2017.

Tom, Cybele, and Ken Sutherland. “Overpaint Removal from a Quattrocento Polychrome Bas-Relief: Challenges in Interpreting Painted Sculpture.” In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, September 4–8, 2017, edited by J. Bridgland, art. 1709. Paris: International Council of Museums.

2016

Online Publications

Broadway, Mary. “All the Rage: The Edison Mimeograph and Gauguin’s Le sourire (The Smile).” In Gauguin Paintings, Sculpture, and Graphic Works at the Art Institute of Chicago, edited by Gloria Groom and Genevieve Westerby with Mel Becker Solomon. Chicago: Art Institute of Chicago, 2016.

Broadway, Mary, and Harriet Stratis. “Drawing Conclusions: A Methodology to Reconstruct Gauguin’s Disbound Sketchbooks.” In Gauguin Paintings, Sculpture, and Graphic Works at the Art Institute of Chicago, edited by Gloria Groom and Genevieve Westerby with Mel Becker Solomon. Chicago: Art Institute of Chicago, 2016.

Hoermann Lister, Kristin, Mary Broadway, and Harriet Stratis. “Technical Reports.” In Gauguin Paintings, Sculpture, and Graphic Works at the Art Institute of Chicago, edited by Gloria Groom and Genevieve Westerby with Mel Becker Solomon. Chicago: Art Institute of Chicago, 2016.

Journal Articles

Casadio, Francesca, Celine Daher, and Ludovic Bellot-Gurlet. 2016. “Raman Spectroscopy of Cultural Heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing.” Topics in Current Chemistry 374, no. 62 (October 2016): 1–51.

Chen, Victor, Gregory D. Smith, Amanda Holden, Niloo Paydar, and Kathleen Kiefer. “Chemical Analysis of Dyes on an Uzbek Ceremonial Coat: Objective Evidence for Artifact Dating and the Chemistry of Early Synthetic Dyes.” Dyes and Pigments 131 (August 2016): 320–332.

Cucci, Costanza, Giovanni Bartolozzi, Marco De Vita, Veronica Marchiafava, Marcello Picollo, and Francesca Casadio. “The Colors of Keith Haring: A Spectroscopic Study on the Materials of the Mural Painting Tuttomondo and on Reference Contemporary Outdoor Paints.” Applied Spectroscopy 70, no. 1 (January 2016): 186–196. 

Dahm, Kristi. “Casting Far and Wide: Winslow Homer’s Engagement with the Materiality of Paper.” The Book and Paper Group Annual 35 (2016): 133–134.

Dahm, Kristi. Review of Picasso: The Making of Cubism 1912-1914, edited by Anne Upland, Blair Hartnell, and Scott Gerson. The Journal For The American Institute for Conservation 55, no. 1 (May 2016): 71–74.

Kokkori, Maria, Marie-Odile Hubert, Nathalie Balcar, Gilles Brabant, Ken Sutherland, and Francesca Casadio. “Gloss Paints in Late Paintings by Francis Picabia: A Multi-Analytical Study.” Applied Physics A: Materials Science and Processing 122 ( December 2016): 1–11.

Pozzi, Federica, Stephanie Zaleski, Francesca Casadio, and Richard P. Van Duyne. “SERS Discrimination of Closely Related Molecules: A Systematic Study of Natural Red Dyes in Binary Mixtures.” Journal of Physical Chemistry 120, no. 37 (2016): 21017–21026.

Salvant, Johanna, Ken Sutherland, Julie Barten, Carol Stringari, Francesca Casadio, and Marc Walton. “Two László Moholy-Nagy paintings on Trolit: Insights into the Condition of an Early Cellulose Nitrate Plastic.” E-Preservation Science 13 (2016): 15–22.

Saviello, Daniela, Lucia Toniolo, Sara Goidanich, and Francesca Casadio. “Non-Invasive Identification of Plastic Materials in Museum Collections with Portable FTIR Reflectance Spectroscopy: Reference Database and Practical Applications.” Microchemical Journal 124 (January 2016): 868–877.
 
Sturdy, Lauren F., Alexander Yee, Francesca Casadio, and Kenneth Shull. “Quantitative Characterization of Alkyd Cure Kinetics with the Quartz Crystal Microbalance.” Polymer 103, no. 26 (October 2016): 387–396.

Conference Proceedings

Dai, Qiqin, Emeline Pouyet, Oliver Cossairt, Marc Walton, Francesca Casadio, and Aggelos Katsaggelos. “X-Ray Fluorescence Image Super-Resolution Using Dictionary Learning.” In 2016 IEEE 12th Image, Video, and Multidimensional Signal Processing Workshop (IVMSP). Bordeaux, France, July 11–12, 2016.

Freeman, Rachel, Cyntia Karnes, and Stephanie Lussier. Art on Paper Discussion Group: “Paper is Part of the Picture: Connoisseurship and Conservation Practice.” The Book and Paper Group Annual 35 (2016).

Kokkori, Maria, Stephanie D’Alessandro, Kristin Lister, and Francesca Casadio. “Materials and Meanings: Analyzing Kazimir Malevich’s Painterly Realism of a Football Player—Color Masses in the 4th Dimension.” In The Noninvasive Analysis of Painted Surfaces: Scientific Impact and Conservation Practice, edited by Austin Nevin and Tiarna Doherty, 65–75. Smithsonian Contributions to Museum Conservation No. 5, Washington, DC: Smithsonian Institution Scholarly Press.

Langley, Allison, Kimberley Muir, and Aniko Bezur. “Looking Below the Surface of Picasso’s The Old Guitarist.” In Painting Techniques, History, Materials and Studio Practice, 5th International Symposium, edited by A. Wallert. Amsterdam: Rijksmuseum, 258–263.

Muir, Kimberley, Inge Fiedler, Donald H. Johnson, and Robert G. Erdmann. 2016. “Étude Systématique des Toiles Utilisées par Claude Monet,” in Peindre au Temps des Impressionnistes: L’apport de l’étude Matérielle des Toiles, edited by Bénédicte Trémolières. Mont-Saint-Aignan: Presses Universitaires de Rouen et du Havre, 2016. 63–80. 

Muir, Kimberley, Inge Fiedler, Donald H. Johnson, and Robert G. Erdmann. “Thread Count, Weave, and Ground Analysis of Claude Monet’s Vieille & Troisgros/Troisgros Frères Canvases in the Art Institute of Chicago.” In Painting Techniques, History, Materials and Studio Practice, 5th International Symposium, edited by A. Wallert. Amsterdam: Rijksmuseum, 226–236.

Sutherland, Ken, L. Mayer, and G. Myers. “Soehnée Frères Retouching Varnish and American Painters.” In Sources on Art Technology: Back to Basics—Proceedings of the Sixth Symposium of the ICOM-CC Working Group for Art Technological Source Research, edited by Sigrid Eyb-Green, Joyce Townsend, Kathrin Pilz, Stefanos Kroustallis, and Idelette van Leeuwin. London: Archetype Publications, 2016.

Exhibition Catalogues, Books, and Book Chapters

Barten, Julie, Sylvie Pénichon, and Carol Stringari. “The Materialization of Light.” In Moholy-Nagy: Future Present, edited by Matthew Witkovsky, 187–202. Chicago: The Art Institute of Chicago, 2016.

Fiedler, Inge, Ella Hendriks, Teio Meedendorp, Michel Menu, and Johanna Savant. “Materials, Intention, and Evolution: Van Gogh’s Bedrooms.” In Van Gogh’s Bedrooms, edited by Gloria Groom, 68–103. Chicago: The Art Institute of Chicago, 2016.

MacDonough, Kristin, Rebecca Fraimow, Dan Erdman, Kathryn Gronsbell, and Erica Titkemeyer. “On the EVE of Preservation: Conserving a Complex Universe.” In Internet Spaceships are Serious Business: An EVE Online Reader, edited by Marcus Carter, Kelly Bergstrom, and Darryl Woodford, 210–220. Minneapolis: University of Minnesota Press, 2016.

Pozzi, Federica, Stephanie Zaleski, Francesca Casadio, Marco Leona, John R. Lombardi, and Richard P. Van Duyne. “Surface-Enhanced Raman Spectroscopy: Using Nanoparticles to Detect Trace Amounts of Colorants in Works of Art.” In Nanoscience and Cultural Heritage, edited by Phillipe Dillmann, Ludovic Bellot-Gurlet, and Irène Nenner, 161–204. Paris: Atlantis Press, 2016.

2015

Online Publications

Owen, Antoinette, and Kelly Keegan. “Technical Reports.” In Caillebotte Paintings and Drawings at the Art Institute of Chicago, edited by Gloria Groom and Genevieve Westerby. Chicago: Art Institute of Chicago, 2015.

Conference Proceedings

Barten, Julie, Francesca Casadio, Johanna Salvant, Carol Stringari, Ken Sutherland, and Marc Walton. “A Wealth of Optical Expression: László Moholy-Nagy’s Works in the Collection of the Guggenheim Museum.” In Postprints of the American Institute for Conservation of Historic and Artistic Works 43rd Annual Meeting, Miami, Florida, May 13–16, 2015.

Casadio, Francesca, and Jean-Louis Andral. “Retour d’expérience: L’usage du Ripolin dans les peintures de la collection du Musée Picasso d’Antibes.” In Proceedings of the International Symposium “Revoir Picasso," Musée National Picasso-Paris, March 25–28, 2015.

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