3000 Level PrintMedia Course Descriptions
PRINT 3001
Offset Productions
This course introduces students to the production of small edition books
and multiples, using the School’s high-speed presses and commercial
lithographic processes. Students learn darkroom techniques and use the
department’s computers to prepare their work for printing. Distribution
of artists’ multiples and alternative exhibition opportunities
are discussed.
PRINT 3002
Intermediate and Advanced Etching
This presentation of intaglio techniques emphasizes a variety of multi-plate
color printing processes. The course concentrates on individual development
through the intaglio process. Prerequisite: PRINT 2002.
PRINT 3003
Intermediate and Advanced Lithography
This course introduces students to aluminum plate lithography, both
hand drawn and photographic. Direct laster “Pronto” plates
are also used for digital images. Emphasis is placed on the development
of an individual project. Prerequisite: PRINT 2003.
PRINT 3005
Contemporary Processes I
This course offers exploration in photo lithography. The stencil techniques
used in this class include digitally generated, hand drawn, and a variety
of photographic film techniques such as halftones, line work, and fine
line. Emphasis is placed upon individual discovery of the possibilities
for working with photographic, digital, and hand-made images in this
medium. Prerequisite: PHOTO 1001.
PRINT 3006
Contemporary Processes II
This course offers exploration in photo screenprinting and photo etching.
The stencil techniques used in this class include digitally generated,
hand drawn, and a variety of photographic film techniques such as halftones,
line work, and fine line. Emphasis is placed upon individual discovery
of the possibilities for working with photographic, digital, and hand-made
images in this medium. Prerequisite: PRINT 3005 or PHOTO 1001.
PRINT 3007
Artists’ Books
This is an intermediate/advanced level course for students seriously
committed to producing sequentially developed ideas, and explores traditional
and nontraditional book formats.
PRINT 3008
Intermediate/Advanced Screenprinting
Advanced exploration is encouraged in the screenprinting medium. Emphasis
is placed on individual experimentation, development, and the refinement
of technical skills. Processes offered include large format printing,
4-color separation, and other advanced traditional photographic and
digital techniques. Prerequisite: PRINT 2005.
PRINT 3017
Monotypes in Oil- and Water-based Media
A course for students working at all levels of printmaking or painting
that introduces a variety of monotyping techniques. Some of the media
used in the course are oil-based, such as oil pigments and oil-based
inks; and some are water-based, such as opaque and transparent watercolors,
water soluble inks, and tempera paints. Registration and overprinting
methods are demonstrated, along with stencil and transferring processes.
Instruction consists of demonstrations and private and group critiques.
PRINT 3018
Advanced Artists’ Books
This course offers advanced exploration with visual and written material
in paged sequence. Ideas are encouraged within a broad range of possibilities,
via the format of the artist’ book. The development of a major
project is encouraged. Prerequisite: PRINT 3007.
PRINT 3019
Command P: Digital Prints
This course addresses electronic imaging and output as a means of producing
prints. Images will be generated on the computer using drawing, digital
cameras, scanner and a variety of software. In addition, students will
be shown collage, transfer and surface manipulation techniques. The
similarities and differences between traditional and digital prints
will be explored, as well as their relationship to contemporary trends
in print. Pre-requisite: Any 2000 level Printmaking course.
PRINT 3020
Intermediate and Advanced Relief Printmaking
This class focuses on technical problem solving and self expression.
Students learn techniques of printing on a larger scale, complex color
in reduction and multiple-block printing, registration techniques, and
how to choose a wood and paper for a specific idea. There are lectures
and study of contemporary relief processes. Experimental expressive
approaches are encouraged. Prerequisite: PRINT 2004.


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